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@SSJ_Ethan @SorcererLance @AbelMunizJr They turn blue (and Amy's turn pink) starting with Sonic Battle and Heroes (both releasing in Dec. 2003). In Advance 3 they're blue.
Chef-d'œuvre de François Desportes (1661-1743)... le 28 mars (T. 102,5 x 82 cm) chez @Briscadieu_Bx celui des magnifiques oiseaux peints sur porcelaine de Jacques Barraband vendu en 2018 (prix record 565 800€). Musée réactif ou commerce avisé ? Autre record 😉@pierre_arts
"He is weak and old, and he feels the cold, but a nice clean path he keeps ... " Illustration from London Town (1883). English artists - Thomas Crane (1843–1903) & Ellen Houghton (1853-1922). #Victorian
Hyper Epics, Print Edition (Volume 3). Available in April.
Cover by @ggtfimz My sincere thanks to all the wonderfully talented individuals who have contributed to this. It's a real honor collaborating with each of you #makingcomics #indiecomics https://t.co/un3Z3uUcfd
⛔Lynn Minmay - Original Character from Macross (マクロス) [1982]
⛔️ Original Art by PETER DRIBEN. "1000 Pin-Up Girls" Ed. TASCHEN, Pg. (83). (1st comment)
STREAMING TONIGHT ON TWITCH! + info follow me on https://t.co/ZCGkKHyASS
YOUR FEEDBACK MATTERS!😎🔥
#Macross #マクロス
Days of Creation by Edward Burne-Jones unframed for conservation. These platinum prints were taken by Frederick Hollyer (1837-1933). This is Day 4, the original watercolour was stolen from its frame in 1970 at Harvard University and never recovered.#BurneJones #Victorian
Hans Christian Andersen's The Little Mermaid (1837) as illustrated by Edmund Dulac (1882-1953). #FairyTaleTuesday
@dianadep1 @1Atsuhimerose2 @marmelyr @angelicadisogno @LuciaTassan @BrindusaB1 @Spiros209 @djolavarrieta @scastaldi9 @bmarczewska @neblaruz @artmajcar @monica74761144 @alleosa @agustin_gut @CristianeGLima @maluisa_3 @monicasloves @cristob45 @vvgcabras @BPerrionni @ceconomou56 @ritamay1 @Rebeka80721106 @BaroneZaza70 @CaterinaCategio @kamabi @karmendida @francocinzia2 @famartinez2001 ¡Gracias, querida Diana! ¡Buenas noches! :) 😊🌹🌼🌟💐
"Portrait de lecrivain Pujola y Valles", 1899.
🎨 by Pablo Picasso (Spanish, 1881–1973).
Remembering Paul D. Zimmerman (July 3, 1938 – March 2, 1993). #Screenwriter #Screenwriting #PaulDZimmerman
Destroyer Lonchi, D-56 (ex U.S.S. Hall DD-583). [1024x737] from /u/Ricochet_Nathan_P at #WarshipPorn ➡ https://t.co/cH85hwghju
Le "Q-ship" Mary B. Mitchell en janvier 1917, par Montague Dawson (1890-1973).
Ce voilier revendiqua la destruction d'un u-boot allemand durant cette période, mais celle-ci ne fut pas confirmée.
@kogui_ @NetflixBrasil meu personagem foi o porco rosso!! (ou marco para os íntimos <3). fio desenhista de brinde!🧡
#OnlyFilmOfTheDay:
#Oblivion (2013).
A veteran assigned to extract Earth's remaining resources begins to question what he knows about his mission and himself.
The film pays homage to 1970s #ScienceFiction movies.
It's worth another look!
@TomCruise.
Biker Occultism!
I watched Don Sharp's PSYCHOMANIA (1973). Daft as a brush (the biker burial sequence is the funniest thing!), with some wonderfully mundane grey shooting locations (mayhem at the shopping precinct!). Runs out of steam well before the end, though...
#Tentoonstelling met werk van de tijdens haar leven al beroemde Italiaanse kunstschilder Artemisia Gentleschi (geboren #Rome, 1593). 'The spirit of Caesar in the soul of a woman'. Vanaf 4 april in National Gallery, #Londen. Sneak-preview filmpje: https://t.co/BmmEH4f2Gw
#kunst
Art by Ralph McQuarrie for the planet Sicemon: at one time the home of Jabba, and then the rebels, until the concept was abandoned. RETURN OF THE JEDI (1983).
We're setting up at #PAXEast this afternoon! We'll have 100 copies of All the Goodest Puppers for sale, and demos of that and One Deck Galaxy at the @FoamBrain booth in Tabletop.
And every day at 2PM we'll have 1001 Odysseys demos in the @Kickstarter Lounge (Room 103).
My childhood in 4 games!
Sorry, I'm a major Gen Zer and most of the games I played were online (There's a lot more that I played besides those 3). Though, I also played ps2 games like Crash Bandicoot, Sly Cooper, and Ratchet & Clank https://t.co/STsOnv2x1p