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@albertopetro2 @DavLucia @Messe11 @ceconomou56 @CristianeGLima @Make_u2_happy @migliaccio31 @cherishDcherry1 @avolantes @cmont4560 @yianniseinstein @marialves53 @gori_magnani @claudioborlotto @Rebeka80721106 @1alert1 @FriendArt_ @neblaruz @doritadia @Matibo11 @NadiaZanelli1 @AndreWisniewsk2 @lev_yurij @Dominiquepucini @smc_su @BB_Aesztia @ValerioLivia @scastaldi9 @martinis2018 @agustin_gut @hermete3 @kapii7 @monicasloves @fra852 @dianadep1 @smarucci461 @marmelyr @Papryka5 @peac4love @BPerrionni @ritamay1 @licprospero @BrindusaB1 @lagatta4739 @paoloigna1 @Giorgio51589046 @PacodaCamino @BaroneZaza70 @arteeblog 🎨 Pablo Picasso
(1881-1973)
Portrait de femme (Françoise Gilot), 1944
#Art #ArtLovers
Felice serata caro maestro Alberto e amici 🌺
These gorgeous #Japanese illustrations are from a scroll which tells a story of the origin of the folding fan.
The scroll dates to the latter half of the 17th Century with the story dating to the Muromachi period (1393-1573).
Find out more on @CamDigLib: https://t.co/66qCHYcDE3
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Sydney Lough Thompson - Girl with a Japanese Umbrella [c.1915]
Sydney Lough Thompson (Oxford, New Zealand, January 24, 1877 - Concarneau, France, June 8, 1973) was a New Zealand artist.
Wright is wonderful in painting the newest science as well as the antique & was one of the most curiosity driven artists. Mr & Mrs Coltman (1771), Miravan breaking open the Tomb of his Ancestors (1772), Self-Portrait (1772-3) & the Earthstopper on the Banks of the Derwent (1773)
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Four films that could be classed as deeply portentous, boring, or in some instances, problematic by some.
However, there’s something about the cultural backdrop of the years that they were made in (70-73) and the dreamlike logic that permeates their worlds that draws me through.
Belladonna of Sadness ('73)
⭐⭐⭐½
The final film from #MushiProduction, and probably the most absolutely bizarre 80 minutes I've ever sat through in my life. The animation is psychedelically stunning, but the content itself, is dark, erotic and often makes little sense. Wow.
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