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Oniwakamaru subduing the giant carp, by Totoya Hokkei (1780–1850)
#ukiyoe
LIKE LOOKIT THESE PARTY BOYS (SKELETON).
I'd say they're living it up, but uh...
Part 1, Figures 34, 37, 41, 42. Oeuvre de Jean Holbein, 1780. From @PittsLibrary
Thanks to the support of my colleague @annemarieezephd, I was able to make a late-breaking addition to next summer's Face to Face exhibition, this breathtaking 1780 collection of 239 hand-colored portraits. #newacq via @CamilleSourget
Water: Zhang Shun (Mizu, Chojun), from The Five Elements of The Water Margin, by Totoya Hokkei (1780–1850)
#ukiyoe
Corner view of a town house, 1780–1790 https://t.co/uKILTGx5Fa #cooperhewittdesignmuseum #openaccess
@mariajoafana @nypl l'Oranger
Citrus aurantium.
L'Acajou
Anacardium occidental
(Cashew Nut)
from a rare French herbal written by Nicolas Francois Regnault after the drawings by Geneviève de Nangis-Regnault, published in Paris, 1774 - 1780 as "La Botanique..."]
PUSS IN BOOTS also known as the 'robber kitten' is the most renowned animal outlaw and trickster in folklore. Popularised in Perrault (1628–1703) as Le Chat Botté, in English in Mother Goose, 1780 & The Blue Fairy Book, 1889. Ills. Doré c.1870; Robber Kitten, 1887 #WyrdWednesday
Joshua Reynolds, Admiral Viscount Keppel, 1780 https://t.co/Q3uCnAy07u #museumarchive #tatemuseum
Gate of a town, 1780–1790 https://t.co/3omxwbLnTt #openaccess #cooperhewittdesignmuseum
Design for an Organ, 1780-1790 https://t.co/6Vx4SjpWLQ #openaccess #museumarchive
Sarcophagus, ca. 1780 https://t.co/wADrwCkAGv #openaccess #museumarchive
“Dream of Belinda” by Henry Fuseli, between 1780 and 1790
Enormous Structure Situated on a Stream, 1780-1800 https://t.co/P6LvhroWHN #museumarchive #openaccess