Samuel John Peploe (Scottish (post-impressionist), 1871-1935) - Barra 1903 oil on panel (16.10 x 23.80 cm) National Galleries of Scotland, Edingburgh, Scotland

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本日7月2日は、金沢最後の文人・細野燕台の150回目の誕生日です。
五香屋休哉に漢学を、北方心泉に書を学び、茶道や書画骨董に通じ、北大路魯山人の才能を見出しました。
徳田秋声(1871年生)や泉鏡花(1873生)とは幼馴染で、後年に秋声が後輩の室生犀星を連れて燕台を訪ねています。

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The top two here are from Country Diary of an Edwardian Lady by Edith Holden (1871-1920). Untimely end as she fell in the river whilst reaching for a branch with berries to paint very sad.
The next is Gaspar Camps (1874-1942).
Finally Alfons Mucha (1860-1939)

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"Morning" 1908

Camillo Innocenti (Italian, 1871-1961)

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'The Burdens of Fashion'. Published in Punch, March 25 1871.

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3/ Art Nouveau designs from 1899 from "Decorative Motifs from the Natural World" by German artist and painter Arnold Lyongrun (1871–1935). The original name of the publication in German is: "Neue freie Dekorationsmotive entwickelt aus dem Tier und Pflanzenreich".

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1842
SIR JOHN FREDERICK WILLIAM HERSCHEL (1792-1871)
Herschel comes up with a Photographic process known as the ‘Cyanotype’. It required ferrocyanate of potassium and allowed for inexpensive but permanent prints.

Below, Herschel both young and older and two Cyanotypes.

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Art Nouveau designs from 1899 from "Decorative Motifs from the Natural World" by German artist and painter Arnold Lyongrun (1871–1935).

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Entry to a Drawing Room at Marlborough House by Eugène-Louis Lami, 1871.

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Nathanael Schmitt Allegory of spring,1871.

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←「A Dandy」(1871-1873)
→ツェペリのおっさん

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