画質 高画質

La Femme aux Phlox (Woman with Phlox), 1913, by Albert Gleizes

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中沢 弘光 なかざわ ひろみつ
1874–1964

《海苔とる娘》

1913(大正2)年
油彩、カンヴァス
宮崎県立美術館

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'Thistle Grove, South Kensington', from 'My Recollections and Reflections' || 1913 || Yoshio Markino

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Guillaume y fueron detenidos como sospechosos del robo, al haberse visto involucrados en actos de este tipo anteriormente.
Poco después fueron puestos en libertad cuando el cuadro apareció, en noviembre de 1913.

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From 1911-12 he evolved a new more austere style termed his Gothic period. From 1914-19 he was called up for WWI. 1916 saw him illustrate Breton’s Mont de Piete. Martigues (1913), Man with Newspaper (1914), La Verre Noir (1913) & Portrait (1914)

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In 1912 he exhibited with the Blaue Reiter in Munich & in 1913 at the Armory in NY. He also illustrated Max Jacob’s poems in 1912. Still Life (1912), the Grove (1912), the Seine (1912) & Le Samedi (1913-14). He became the archetypal French painter

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Matisse Room at the Second Post-Impressionist Exhibition 1912-1913

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...quando la Repubblica delle Banane volge al tramonto...
Giorgio de Chirico, "L'incertezza del poeta", 1913.

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🎂
Hedy Lamarr (9 Nov 1913 - 19 Jan 2000), Austrian-born American film star.

"Often typecast as a provocative femme fatale. Years after her screen career ended, she achieved recognition as a noted inventor of a radio communications device."

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"The Arrival, 1913" by English artist, Christopher Richard Wynne Nevinson (1889 – 1946)

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Born in Iowa he studied at the The Handicraft Guild in Minneapolis (1910). He returned to Iowa to teach in 1911 & in 1913 he enrolled at the School of the Art Institute of Chicago . The Landscape of Autumn (1919), The Shaking Poplar (1917), Paris Street (1920) & Conduit (1920)

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