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John Everett Millais, The Good Samaritan, engraved by the Dalziel Brothers, 1863 https://t.co/qTLgE45E9Q #johneverettmillais #museumarchive
John Everett Millais, The Unjust Judge and the Importunate Widow, 1864 https://t.co/prOW1wLvPt #tatemuseum #johneverettmillais
Max Beerbohm, A Momentary Vision that Once Befell Young Millais, 1916 https://t.co/TaroyBQnY6 #maxbeerbohm #museumarchive
Millais alloy is the correct answer, but I still drew a few of ur suggestions anyways uwu https://t.co/rwLazKTAir
John Everett Millais, The Prodigal Son, 1864 https://t.co/a7H47JanAt #johneverettmillais #tatemuseum
John Everett Millais, The Good Samaritan, 19th century https://t.co/q5lAjalpmg #johneverettmillais
John Everett Millais, The Good Samaritan, 1864 https://t.co/KJAdFmo2wJ #tatemuseum #museumarchive
I love these twin paintings…
A somewhat petrified little girl sits bolt upright in My First Sermon (1863) by Sir John Everett Millais. ⛪️ By it’s sequel, My Second Sermon (1864), the novelty of the service (and resulting fear of hellfire & damnation) appears to have waned.
John Everett Millais, The Lost Sheep, 1864 https://t.co/h5uZEEMGky #johneverettmillais #tatemuseum
Effie Gray (Lady Millais), by English painter Thomas Richmond (1851). National Portrait Gallery.
John Everett Millais, The Hidden Treasure, 1864 https://t.co/RtGuOyqllp #tatemuseum #museumarchive
John Everett Millais, The Good Samaritan, engraved by the Dalziel Brothers, 1863 https://t.co/qTLgE45E9Q #tatemuseum #museumarchive
John Everett Millais, The Rich Man and Lazarus, 1864 https://t.co/PkzmesnPJH #johneverettmillais #tatemuseum
John Everett Millais, The Unjust Judge and the Importunate Widow, 1864 https://t.co/prOW1wLvPt #tatemuseum #johneverettmillais