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🖋️ Sketch from Aubrey Beardsley's letter to G. F. Scotson-Clark, reproduced in The Uncollected Work of Aubrey Beardsley (London: John Lane, 1925).
🔗 Link to the digitised book ➡️ in the AB Library: https://t.co/Ma0wBv3HLA
Aubrey Beardsley, designs for the Decadent periodical The Savoy, January and April issues 1896.
January is the month of the first issue of The Savoy for which Aubrey Beardsley produced some of his best later work. You can access the periodical and other digitised sources via the AB Library: https://t.co/Ma0wBv3HLA
@KFujizuka Thanks! Its from a drawing I did inspired by Aubrey Beardsley. You can find the pattern on things at my RedBubble shop!
https://t.co/qMxbo2IshS
@CAohyaylookRINA Earliest ones that come to mind from back when as a wee lass XD .
Gene Starwind- Outlaw Star
Sailor Venus- Sailor Moon
Allenby Beardsley- G Gundam
Hatake Kakashi- Naruto
Allenby Beardsley(commission)
From Mobile Fighter G Gundam
Commissioned by Rainstorm917
Day 24: Allenby Beardsley from G Gundam for @YuushaChulainn
Welcome to your Saturday Femme Fatale Generator.
Who is your favourite witch?
🎃 Aubrey Beardsley, 1893
🎃 Konstantin Somov, 1902
🎃 Harry Clarke, c. 1920
Owlish Halloween greetings by Samuel L. Schmucker (1879-1921) Despite partial paralysis of his right hand, Schmucker pursued a career in art with much success. His influences were Aubrey Beardsley, Gustav Klimt & Howard Pyle with whom he studied #31DaysofHalloween #OwlishMonday
Edgar Allan Poe’s The Masque of the Red Death, illustrated by Aubrey Beardsley, Arthur Rackham, Bernie Wrightson, Harry Clarke
@Estetism_jp Remedios Varo, “Feeding the Moon”
Aubrey Beardsley, “The Peacock Skirt”
「孔雀の裳裾」は初めて見た瞬間を一生覚えていると思います。
My Dutch mother gave me a treasured a copy of Sprookjes van Hans Andersen (1915). Dutch illustrator, Rie Cramer (1887-1977) was influenced by Beardsley, Rackham & Dulac. I always loved this poignantly naked figure of the Little Mermaid once she'd lost her tail. #FolkloreThursday
#AubreyBeardsley at Tate Britain. Plus #scones, because when there’s decadence, there must also be scones. It’s the law.
In today's AB Blog, @VanessaHeron of @OscarWildeUK encourages us to look at the telling details of Beardsley's originals, now displayed at @Tate Britain: https://t.co/ME4tFRDPNX
Image: Details of Aubrey Beardsley’s Siegfried, 1892, & Carlo Crivelli’s Saint Michael, c.1476
Don’t miss the decadent Beardsley @Tate extended until 20 September. I absolutely loved it 🖤
Had a wonderful time at the Aubrey Beardsley exhibition at @Tate - go if you can! Here are a couple of Beardsley inspired pieces by Sally Taylor and Max Schindler...
(https://t.co/IzoC3WcqHU)