The Mirror of Venus,
Sir Edward Coley 1877. The & was born on 28th August 1833. He was closely involved with the later phase of the movement & often collaborated with

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The Crystal Ball (1902) by John William Waterhouse (England, 1849–1917). [Now been restored to show the skull which had been covered by a previous owner]

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The Crystal Ball (1902) by John William Waterhouse (1849–1917). [The painting has now been restored to show the skull which had been covered by a previous owner]

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The Charmer [Young woman charming the fish] (1911) by John William Waterhouse (1849–1917).

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The Charmer [Young woman charming the fish] (1911) by John William Waterhouse (1849–1917).

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“Sleeping Beauty The Rose Bower”
Edward Burne-Jones

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‘A most beautiful creature with an air between dignity & sweetness with something that exceeded modest self-respect & partook of disdainful reserve’ the artist beyond the muse reviewed by https://t.co/xNZq3Ms8s7

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Destiny (1900) by John William Waterhouse (1849–1917). Towneley Hall Art Gallery.

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Destiny (1900) by John William Waterhouse (1849–1917). Towneley Hall Art Gallery.

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The Harp Player, study of Annie Miller (c. 1857) by Dante Gabriel Rossetti (England, 1828-1882).

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Two celebrated series of Pre-Raphaelite brought together in their entirety for the first time next fall! Read about the Burne-Jones retrospective at https://t.co/JW8AlqMYBS

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A depiction of Lizzie Siddal in the Entrance Hall. A renowned painter, patronised by John Ruskin; Siddal is thought to be responsible for another painting in the house depicting the figures of genesis.

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Demeter Mourning for Persephone (1906)

by Evelyn de Morgan (1855-2 May 1919)

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The Bower Meadow

Dante Gabriel Rossetti (1828–1882)



Art

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I am Half-Sick of Shadows, said the Lady of Shalott (1916) by John William Waterhouse (1849–1917). Art Gallery of Ontario.

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Alfresco Toilet at Capri [aka, At Capri] (1889) by John William Waterhouse (1849-1917). [Island of Capri, Italy] style.

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