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A night of premonitions
#CriticalRole #criticalrolefanart #criticalroleart
Absolutely this…started my passion for the cosmic side of #Marvel.
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#XMen #107 (Vol. 1, 1977)
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W-#ChrisClaremont,A-#DaveCockrum,I-#DanGreen,C-#AndyYachus,L-#JoeRosen
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#MkraanCrystal #ImperialGuard #Starjammers #MarvelComics #MarvelCosmic https://t.co/Z0wt0HMFWw
was tasked with decorating the big switch in work so we can turn on the Christmas lights with the kind of ceremony that the occasion deserves.
The drawings show figures of the people Princess Victoria encountered while staying in Ramsgate and then Claremont House, from November 1836 to January 1837, including sailors and a family of Travellers.
This week in the Abyss, we're discussing the supposedly classic 80s horror tome, THE CEREMONIES, by T.E.D. Klein! Plus, talk about @Shudder's THE MEDIUM, @JonathanRaab1's SECRET GOATMAN SPOOKSHOW, MIDNIGHT MASS, and more! Listen now at https://t.co/Di2QzuqoYR #podcast #HorrorFam
“Autumn on the Coast”, 85X85cm, oil on polycotton.
#oilpainting #richardclaremont #creative #painting #artgallery
大怪兽图鉴 艾斯超兽篇34 法伊蒙斯 私のイラスト ウルトラマンエース 超獣編34 ファイヤーモンス AceUltramanSuperbeast NO. 34 Firemons
#ウルトラマンエース
#ウルトラマン
#UltramanACE
The tecpatl is the ceremonial flint knife, which in the sacred narrative of our ancestors sacrifices the Teteo, the divinities who gave origin to the World with Their death
Comme les Shadoks ne respectaient plus les trucs pas interdits mais pas autorisés non plus, le roi des Shadoks décida qu’il était temps de leur remonter les bretelles.
« Je vais parler à la TV » dit-il au grand chambellan.
The more I study clouds the more like landscapes they become.
Columns and canyons, levels and layers, drifts and waterfalls… they are all there when you look closely.
“Western Light”, 85X85cm, oil on polycotton.
#oilpainting #richardclaremont #creative #painting #artgallery
@albertopetro2 @agustin_gut @anne_camozzi @NadiaZanelli1 @alleosa @javiango @maype7 @marialves53 @xaloc7 @AlessandraCicc6 @famartinez2001 @1Atsuhimerose2 @adiprincipe @ValerioLivia @CaterinaCategio @Rebeka80721106 @GerardLDonadoni @hayertalbe @ampomata @dianadep1 @DavLucia @smarucci461 @migliaccio31 @angela3nipoti1 @djolavarrieta @paoloigna1 @erminiopasquat1 @EnricoCastrovil @LunaLeso @ANNAMAMARIABIA1 @AnnaMar90949897 @MaurilioVitto @ritamay1 @licprospero The trees show their rings
the animals their veins
and all being is flaming, suffering
-- Franz Marc (1913)
This was Franz Marc's premonition of WWI. A forest fire, bringing chaos, death, and destruction.
🎨 Franz Marc, "Tierschicksale" ("Fate of the Animals") (1913)
@qtpunnie eu faco :3
to remontando portifolio, entao to com pouquinhos exemplos, mas qualquer coisa so chamar!!
@DonReborn2 Solo tengo una palabra: ESPECTACULAR
Habéis dado muchísima guerra y esa remontada ha sido increíble. Es la primera vez que vivo algo así y lo he disfrutado mucho ^^
Ahora relax merecido para todos. Descansa mucho capi ❤️✨
@DonReborn2 mil gracia por este pesado de directo, estoy re orgullosa de ti rey. Menuda remontada que se sacaron que grandes, descansa mucho te quiero 🏡💖
Unrestored production cel from an otherwise unproduced P&P cartoon, 1944
The goblin character was meant to be a new addition to the main cast, but after proving unpopular with test audiences of a previous short, "Mr. Mook" was quietly and unceremoniously given the axe.
The villains had gotten a bit generic in the waning arcs of Claremont’s run, coinciding with a change in editorial direction and artist-input. Where C had injected nuance to UXM villains from very early-on, the last few stories featured wall-to-wall evil megalomaniacs. 4/8