1/2 1916 sheet music for "When the Moon Shines Down in Old Alaska Then I'll Ask'a to Be Mine." Opening lyric: "Northern lights are softly gleaming o'er the silent sea; northern lights so brightly beaming, seem to beckon me."

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18 March 1916. 16 victory French ace, Lieutenant Jean Chaput in a Nieuport 11 on patrol over Eparges, downed an enemy LVG C two-seater for his econd combat success of the war. Art by Paul Lengelle.

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1916年の今日は、英国の児童文学・ミステリ作家、メアリー・スチュアートの誕生日。『メアリと魔女の花』『霧の島のかがり火』などの邦訳がある。

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Johan Paul Graaf van Limburg Stirum (1873-1948). Gouverneur-generaal (1916-21), 1920 https://t.co/GpbZ8TsxCi

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『1916 自由をかけた戦い』
第一次世界大戦時のポーランド独立戦線を描いた戦争映画。中盤の騎馬隊やラストの戦闘シーンは見応えあり。途中から三角関係がメインになっていたけどポーランド史に疎い外国人からすると歴史背景の方を知りたいところ。その後の歴史を考えると希望ある終わり方がまた辛い。

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Médecins morphinomanes et loi 1916. Texte de .
Planche 1/7
J'ai enfin pris le temps de faire de l'encrage traditionnel à la plume et encre de Chine, d'où un rendu différent de mes BD précédentes.

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Grief (1898) by Oskar Zwintscher (German artist, lived 1870-1916).

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ゲゲゲの鬼太郎のキャラ、バックベアードの元ネタはルドン(仏・1916没)の作品に出てくる目玉(右)だと言われています。この目玉は多分男子?だと思うのですが、実はルドンの手によって女子バージョンもちゃんと作られています(左)。どうでしょうこのサラサラヘアとつぶらな瞳。可愛いでしょう?

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British author Roald Dahl was born in 1916. He did not only write novels like Matilda or Charlie and the Chocolate Factory, but he is also responsible for millions of children picking up their first book and becoming avid readers.

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Waterhouse followed the dictum of art for art’s sake & his ability & mood setting make one yearn for him to have approached subject matter that was authentic (like Klimt or Schiele, for instance). A Tale from the Decameron (1916), Miranda (1916) & Tristan & Isolde (1916)

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Initially he painted in the Neoclassical style. He exhibited at the RA from 1874-1916. His aesthetically pleasing work & romantic approach met with great success. After the Dance (1876), Sick Child (1877) & Remorse of Nero (1878)

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Herbert Blande Sparks (11.9.1860-1916)`was a British painter.11.9.

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Youth Mourning, 1916, by George Clausen

This is a response to the horrors of World War One and, in particular, the death of his own daughter’s fiancé. He uses the nakedness of the figure and the starkness of the barren landscape to emphasise the grief and emptiness of death.

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Oskar Kokoschka, Job and the Contortionist (Hiob und der Kautschukmann) (plate, page 19) from Hiob (Job), 1916–17, published 1917 https://t.co/lffNYHOCht

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Charles W.Bartlett
Kyoto 1916

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Kathedraal, 1916, Louis Saalborn

In ‘Rondom Mondriaan’, Kunstmuseum, Den Haag

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