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"View of Auvers".(1873)
By Paul Cezanne.French post-impressionist
Art Institute of Chicago
@JAEGER_SIXTH ふぅん、私も何かお役に立てるかしら。(PL:氷雫森・レイン(雨垂れ雫の氷王冠・f10073)です、よろしくお願いします)
@氷雫森・レインのプレイヤー/ぺいゆ/トミーウォーカー
Born #OnThisDay in 1617: Southern Netherlandish painter #JanThomas van Ieperen (1617-73)
Portrait of Gundakar, Prince of Dietrichstein (1623-1690) on horseback in a ballet costume, ca. 1667
#SouthernNetherlandishArt #Baroque
Born in Rome to English painter parents he enrolled in the RA (1871)& exhibited at their annual shows. His interest was in Arthurian & Classical mythology. Undine (1872), Gone but Not Forgotten (1873) & The Unwelcome Companion (1873)
THE SATANIC RITES OF DRACULA (1973) #horror w/ Christopher Lee & Peter Cushing #Poster by @alisdair_wood
“The Snowdrop Flower Fairy” from Cicely Mary Barker's 'Flower Fairies of the Spring' (London & Glasgow: Blackie & Son, 1923). Cicely Mary Barker (1895-1973) illustrated and published a total of 168 Flower Fairies between 1923 and 1948. #ChildrensBooks 📚 🌷🧚🏻♀️
The Long Goodbye (1973) Dir Robert Altman
Original theatrical release poster...
#filmtwitter #film #robertaltman #TheLongGoodbye
#cuadrodeldia Bodegón con jarrón de flores (William George Gillies 1898-1973), en Museo de Kirkcaldy de Kirkcaldy (Escocia) #art Este pintor escocés fue un notable paisajista y autor de bodegones, fascinado por el arte de Cézanne, Braque y Picasso #FelizJueves
My version of Béla Czene's "Resting" (1973) @StudioTeaBreak #PortraitChallenge #sketchjanuary #remarkablepaper #thedailysketch
Robin Hood (1973) !
Rob Kaz @robkazart
Mainger @m4inger
The_Oluk @the_oluk
Jonathan Burton @jonathanburton
@DisneyStudios @Disney #disney #RobinHood
いらすとやでアルバム再現
Desperado(1973)
アメリカのロックバンド、イーグルスの2nd。
西部開拓時代のギャングがテーマの
コンセプトアルバム。
オススメ曲
5. Desperado -ならず者流ラブソング
9. Saturday Night -落ち着くバラード
#TheEagles
【奈良4コマ】(No.73)掴まる玄昉さん
またまた分かりづらい…かも👹⚡️
↓今までのお話です
https://t.co/n4mchajqOi
https://t.co/p1zlxBYWoP
🎨 Spanish painter Mónica Castanys (Barcelona 1973) attended Lorenzo di Medici School, in Florence.
Impressionist style.