Weird Tales (May 1934): The feature story is Robert E. Howard's "Queen of the Black Coast" art

It concerns Conan becoming a notorious pirate and plundering the coastal villages of Kush alongside Bêlit, a head-strong femme fatale

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Weird Tales (Sept 1934): The feature story is Robert E. Howard's "The People of the Black Circle" art

Due to its epic scope and atypical Hindustan flavor, the story is considered an undisputed classic of Conan lore and is often cited by Howard scholars as one of his best tales

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Weird Tales (August 1934): The feature story is Robert E. Howard's "The Devil in Iron"

The plot concerns the resurrection of a mythical demon due to the theft of a sacred dagger, and an unrelated trap that lures Conan to the island fortress roamed by the demon art

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Kusakabe Kimbei (日下部金兵衛, 1841–1934)

Fujiya Hotel at Miyanoshita

ca. 1890

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Oranges and lemons (circa 1934) Alison Rehfisch.

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Jazz Dancer (1934) by Kobayakawa Kiyoshi art

As photography in Japan became increasingly popular during the late 19th century, the traditional art of woodblock printing began to decline.

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Left: Movie poster for Ghost in the Shell (1995)

Right: The Doll by Hans Bellmer (1934)

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Takehisa Yumeji (1884 - 1934)

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Animation art from Fleischer’s POPEYE, and, last image: BETTY BOOP. Behold that beautifully sinister gate to Hell from RED HOT MAMMA (1934). (If I’m not mistaken, that short was banned in the UK because it made Hell seem frivolous, and funny.)

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Emilian Lazarescu (1878–1934) The Green Scarf.

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We believe that we arrive at through art, the fruit of personal insight:thus, all our efforts consist in teaching the small heroic act of thinking with our own brains.
-
Fausto Melotti (Quadrante, II, nos. 14-15, June-July

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Rene Magritte. (1934)

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Solar Eclipse ..., 1923
📍#Princeton 🇺🇸
(1856-1934)

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She continued to paint the Scenery around Murnau throughout her life & sought to share the emotion the landscapes evinced from her. Schloss Elmau in Winter (1933), Staffelsee (1934), Blauer Kegelberg (1930) & Self-Portrait (1935)

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In 1934 he painted 1919. Alarm. Still Life (1934) & The Artist’s Daughters holding a Globe (1936). The latter show sthe nearest point of contact between the US & the USSR. As war brewed there was talk of alliances.

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Such was his fame that (1929) the Rohlfs Museum was opened in Hagen. In 1937 the Nazis had him expelled from the Prussian Academy & his work was removed from public collections as Entartete Kunst. Monte Tamaro (1935), Artichoke (c1937), Sunflower (1934) & Canna (1932).

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Symbolism was central to his work. With the rise of the Far Right his art became prophetic of the horrors to emerge - particularly his magnificent Europa. Departure (1935), The King (1933-7), Rape of Europa (1933) & Self-Portrait (1934)

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Takehisa Yumeji (1884–1934)

得度の日 (「桜さく国紅桃の巻」 口絵)
The Day She Takes her Vows (Tokudo no hi)

1912

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