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Independence Day Ceremonial Attires! The Maria Clara's lower dress is color CC.

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This is Xocoyol, mother of ten and Drakkari mystic/seer. The attack of her people upon the Northern Loa made her kind of loopy. She's a Gundrak lady raised near Mam'toth's arena. Her dad was a priest and her mom made ceremonial garbs alongside him.

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Congratulations and good luck to , finalist for the Nebula Award for The Luminous Underground! Stay tuned for the Nebula Award ceremony tonight!

https://t.co/MMzlvTNEMu

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Rip Thanatos
You went out with a bang and now in a ceremony on top of where your ex patron strahd died. Poetic

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...with Kurt–despondent after meeting the cosmic entity–Claremont again proves that superheroism isn't all sunshine and keys to the city–it comes with trauma and loss and fear.

The Uncanny X-Men are so beloved because they feel like actual, living people, and it's moments...

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...dread hangs over the book that builds with each reappearance of the Beyonder.

Arguably a Secret Wars II tie-in, UXM never feels bogged down by that whole mess's content–rather, Claremont uses the Beyonder as a plot device rather than a plot driver.

His presence works...

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In essence, Claremont tempts Ororo with this alternate lifestyle again in order to reiterate the fundamental duality of her character: yes she understands duty and obligation but there’s a part of her that would much rather just steal your wallet and run away laughing. 9/12

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Tea Ceremony Excellence

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this is just sad. please give me riddle's ceremony robes sr card ;;;;

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After being suggested over the last two issues, Karma's puppetry of the Arena is only formally revealed when Sam confronts her face to face.

The subtext of his response, "Glory! It's a girl!" communicates that we should all be shocked that what Claremont wants us to see...

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...even in a Run as celebrated as Claremont's–because the truth is that these stories are, in fact, harmful.

They equate the size of one's body with amoral wickedness, ironic given the specific underpinnings of the mutant metaphor that encourage us to think the opposite is true.

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...undermines whatever efforts he's making. Kitty has often been (and will often be, for better or worse) Claremont's mouthpiece for what he actually means to say, and so her use of derisive fatphobic insults also cuts at his point.

Sadly, Sienkiewicz's art doesn't help his...

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...fairly problematic storytelling (and wildly regressive, especially considering the more typically feminist nature of his books) is made worse by the reappearance of Claremont's fatphobic characterizations.

Claremont has used weight to signal the "evil" in characters before...

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...a monumental send off for the incredibly talented artist, however, is unfortunately marred by Claremont's indulgence of some of the Run's worst characteristics.

Claremont loves his personal tropes–chief among them involuntary body modification–and what would already be...

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...its earliest issues looked closer to the Silver Age X-Men series than it did Uncanny. Yes, it featured Claremont's signature mastery of pathos, but it often stumbled through plots as Claremont worked to find voices for each of his new characters.

What should have been...

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Claremont/Byrne/Austin X-Men before all the bombast confused storylines and bulging muscles.

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Gorgeous blue skies... and finally no smoke! “Day at the Harbour”, 61X61cm.

Add to cart: https://t.co/iZk1swn9Yu

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Tea Ceremony Excellence

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A Ceremonial Titan, with a good old splash of cabal propaganda.

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...indicative of an evil we've already met–and while we'll contend with Claremont's use of fat bodies to indicate evil over the next several issues–we're clearly on the precipice of the New Mutants' next great villain.

Hopefully they–and Ali–will be able to make it out alive.

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