This week we are featuring a Monotype team by maroon!

For the full team description and importable visit the RMT forums:
https://t.co/dqoYcaKYvA

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Land Lines, one of my recent original monotype paintings is off to a very appreciative home.

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I’ve been selling monotypes over on as part of the with Paper Patrons. These four have all sold now, but I’ll be posting four more very soon if you want to come and take a look 👀 I’m n ❤️🌟

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I woke up feeling like using red. During my creation part of my process was not recorded to due problems with phone memory. Spent a bit of time fixing that but did miss a chunk of my video process. Anyway, here are the results!

- Facing Thoughts- 30 x 40cm

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Nouveaux Battleroad monotype avec Eveil du Gohen LR end de la première génération de Battleroad, pas encore annoncé sur la glo mais logiquement ça devrait être annoncé vu que c’est une célébration commune avec la jap

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Today at 2:00 pm, learn more about during a lecture by co-curator, Kimberly Jones.

Details: https://t.co/QhJi3nDUT9
[Edgar Degas, with Vicomte Lepic, “The Ballet Master,” c. 1876, monotype (black ink) heightened and corrected with white chalk or wash on laid paper]

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Four new monotypes for Affordable Art Fair Battersea. Exhibiting these one-off prints and etchings with Stand E9. 12-15 March. Instagram: t for more info

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Blair Hughes-Stanton (1902–81): Unique Works on Paper relaunch on Saturday 7 March. Life drawings from the 1920s, raunchy watercolours from 1930s, POW camp & pub drawings from the 1940s and monotypes from the 1950s.

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¡Selecciona tu corredor!

Los que querian monotype de potros, pues ahora lo podran tener

Tierra/Alquimia
Fuego/Hada
Electrico
Hielo/Volador
Veneno/Volador
Fuego/Dragon

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Edgar Dégas, Landscape with a Path Leading to a Copse of Trees, N/D Pastel over a monotype in oils on paper

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卒制・修制を超える作品(労力的に)は今でもたくさん作っているけど、気がつくと見返してしまう。
自分の源流のような存在で、思い返すたびに新しいことに気付かされる。

「無事故でカエル」
1940×1303mm
woodcut monotype, Oil paint, paper
2014年/大学院修了制作のひとつ

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Stars and Stripes, monotype with George Shivery photo transfer, edition of 6, 1995 by Emma Amos, postmodernist African-American painter and printmaker

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