Interwoven throughout the Massacre's scenes of tragedy have been vignettes of Ali slowly succumbing to the corruptive influence of the entity Malice.

In her appearances in the Run–excluding her earlier moments during the Dark Phoenix Saga–Claremont has spent a great deal of...

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Upon her post-mortem return, she’s written primarily by Louise Simonson in the pages of X-Factor, but Claremont does occasionally handle the character (primarily in guest appearances) such as we see in UXM where Jean tours the mansion ruins and finds an old photo. 7/13

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...of a woman whose smell he knows better than his own–which is frankly a bit creepy, Logan.

He is interrupted by Sabretooth, an almost decade old Claremont Iron Fist villain finally making his way to the pages of UXM to serve as a rival to Logan.

Invoking the name Sinister...

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im reading claremont x men and why is this scene literally

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Claremont’s Magneto is rich, smart, and sexy - he’s every hero and villain’s envy and every mutant’s dream. And I think anyone who doesn’t dare to depict Mags as such is a coward.

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...has a tendency to take a dark turn whenever it intersects with Claremont's Run–and shocking no one, its Mutant Massacre tie-in is as dark as they come.

Perhaps by virtue of existing as a separate title, Weezie takes advantage of some of her page space to offer a fuller...

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X-Men Annual Vol 1 (1987 )
Story Chris Claremont, Art Art Adams

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Along the way, Sam reflects on his family obligations, the socio-economic dynamics of Kentucky life, and even the cultural codes that define how he’s allowed to express himself (through which Claremont shows an awareness of the concept of code-switching). 6/8

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...a sign that Weezie's storytelling, much in the vein of Claremont's, is planting seeds for plots that won't be reaped for months to come.

X-Factor faces another group of Marauders and almost falls before Jean and Warren arrive to rescue their teammates.

Jean kills Prysm in...

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...felt far more real that I was ready to handle.

The most disturbing element of the Mutant Massacre is how purely gleeful the Marauders are in their wanton genocide of the Morlocks, and neither Claremont's scripts nor JRJr.'s art hold any of the horrors of the slaughter back...

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This is all questions and speculations, of course, and any reader can take the same points of data and extrapolate in different directions. Claremont doesn’t clearly define the Rogue/Dazzler relationship and that might be a huge part of why it works. It has some layers. 10/10

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Claremont built stories for Rogue that made her a strong character, but he also crafted a number of narratives that may have set a course for the character to be sexualized beyond her creator’s original intention. It all depends on individual interpretation. 7/7

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Fashion plate from La mode de Paris, Summer 1895. Claremont Colleges Digital Library.

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I bought these two off the spinner rack on a family road trip when I was 11. Loved the Classic X-Men esp the Jean Grey/Misty Knight backup by Claremont/Bolton. Got it signed by Chris last C2E2. Took a bit longer to warm up to the current run - but Inferno & then Brood did it!

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...doubts and fears of letting down those closest to him.

The strength of New Mutants is in Claremont's genuine attention to the struggles and strains of emergent adulthood.

Sam's frustrations with his mentors points toward a sense of navigating the transition alone without...

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Good evening friends, it's time to read another Claremont-style character study!

Continuing with our final several issues before the Mutant Massacre comes calling, tonight we're reading New Mutants a rare exception to Claremont's largely woman-centered storytelling...

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Day at the Harbour
Richard Claremont

oil on board
.

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o boy falando q sente saudade do
a época do claremont sem lacração KKKKKKKKKKKKKJKKKKJKKKJJKKKJKKKKKKKKK
nao le hq e quer falar sobre hq q piada https://t.co/qT64H6APL8

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However in jest it may be–and with Kurt it often is–the insinuation that his reward for saving Eiko is to sleep with her, going as far as to call in compensation is an ugly one.

Eiko's lines can be read as willing banter, but Claremont's closing remarks only muddy that water.

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Notably, Pat Roberts isn't mocking Dani for her mutant identity–which narration reveals he is in fact aware of–but for her indigenous one.

These dimensions are what makes Claremont's characters worth investing in; the complexity of Dani's feelings towards Pat our own as Death...

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