With this image, I really wanted to perfect the interaction of colours to give a glowing sense of light. I just love how the colours have come together in the sky; almost to give a real life 'photograph effect' with the textured art in the foreground. https://t.co/7Wrnp7Ufue

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Art post art post art post art post

Fuck I’m tired. Hi yes, me trying to work on foreground and background. Minor context: It’s all cards on the table for Lily.

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224: ... I don't remember why I drew a shovel in the foreground.

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and heres a version with background and foreground elements but I don't like it

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i like using the select tool and then a foreground to transparent gradient to get smoother shadows if you dont go right to the edge of the selection it will blend more naturally same with other shadows and lighting gradient maps are also fun to experiment with hope this helps ^^

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Additional:

W/o background + No foreground

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ついにかんせいです!桜は近景に付けて面白くなったっと思います!
  
Putting in a foreground gave it some more atmosphere. I think its finally complete complete. I'll stop bothering you guys with it LUL

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Hey twitter beloveds, any ideas welcome, wtf do I do with the foreground

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RGBeach (2021)

Gifted an edition to my amazing Async Genesis collector ! Thank you for supporting in me ❤️

This piece marks my first exploration into reusing foreground characters, as we will see in my generative collage project Encontros... tomorrow on Async.

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galaxy over dark mountainous horizon, peach trees around a peaceful lake in the foreground. https://t.co/kxGbQ1VNY2

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One without the foreground filter

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(เหมือนจะเป็น)stepการวาด ในส่วนของตัวละคนกับวัตถุที่อยากให้เด่นก็ลงสีพื้นคุมโทนแล้วก็ใช้บรัชปรับลดopacityปาดสีแล้วเกลี่ยๆให้สีเนียน ส่วนพื้นหลังก็ตัดเส้นใบไม้ที่เป็นforegroundหลักๆ ลงสีเขียวเป็นเบสคร่าวๆขอบเบลอๆเพราะพยายามให้เหมือนสีน้ำ แล้วค่อยๆเก็บรายละเอียดมิติใบไม้ด้านหลัง

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Cw: noise filter and blurry foreground on the second pic

Worked on some art as of late just some bee stuff u know how it is. Here’s to hoping Twitter does kill the quality 🤞

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Born Kanō Eitoku Japanese Azuchi-Momoyama period & patriarch of Kanō school contributed rich symbolism of "monumental style" (taiga) to Kanō range characterized by bold fast brushwork emphasis on foreground & large motifs relative to his pictorial space

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Back to work on this. Today I added some more waves and a ship. Next will probably be touching up the ship to make it less "digital" looking, and then some rocks in the mid and foreground

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Happy Valentines! I made my first animation 👉👈

Video ID: digital painting of Howl and Sophie set in the clouds with shooting stars. Sophie has a Cupid’s bow and arrow and wings and aims a heart shaped arrow at Howl in the foreground who reaches out toward her.

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GM

RGBeach (May 2021)

https://t.co/vnX8jkIWHp

This is my first piece with 'fractals' on foreground characters...

... been exploring this universe quite a lot now, as you'll see on my upcoming pieces.

artist frens: keep pushing your art and look out for happy accidents ;-)

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More blueprints of generative dreams. The Blank Slate as background & no Mind's Eye (foreground "ground") will be rare & can allow for a few minimalist dreams. Funky thing: if the only silhouette of light is minted against the Blank Slate, it will be invisible.

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This page is beginning to take shape with the foreground characters nearly finished.

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(3/4) Then I color block and begin adding my background, midground and foreground over the top. I'm usually kind of messy and like to switch between rough textures brushes like gouache and smoother watercolors to blend out. Find a balance, play around until it looks right.

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