//=time() ?>
#ElCineQueHeVistoEn2020
27. #EnEsteRincónDelMundo 🇯🇵 2016
Dir. #SunaoKatabuchi
Es poesía visual tan bella como conmovedora. Nos traslada a los horrores de la II Guerra Mundial y el costumbrismo japones. Preciosa y triste. 😭😭😭
9/10
#4 Four Caterpillars
Storyboard: Mamoru Kanbe
Dir: Kang Tai-sik
Perfect execution of tension when Kimari tells her mum about Antarctica.
Perfect dialogue, building friendship between the girls.
Perfect use of the BEST insert song.
Perfect inspiration to shoot for your dream.
[2]before, we removed the weapon 'cause we need to separate the 'slash' vfx, as design wise:
1) we planned to modify the vfx for buff power
2) we need to reuse 2 dir char anim for 8 dir vfx (rotated)
we're still doing 2) now but adding back the bell improves the feel of weight.
Wenn es das Team in PokemonGo gäbe wär ich auf jeden Fall dabei :D - denn @Lennyficate und die #gengargang sind einfach eine unglaublich geile Community.
Ich wünsche dir alles Gute zum Geburtstag Lenny :D
Ein wunderschönes Bild von @malikahoffmann 🥰 Es freut uns sehr, dass dir Neumondschatten von @stefaniehasse so gut gefallen hat 🥰💕
.
Wer neugierig geworden ist, kann sich noch schnell eine limitierte Hardcover Ausgabe, zum Angebotspreis von nur €8,90… https://t.co/A39jrtlmAR
Finished animation cels from The Last Unicorn (1982), dir. Arthur Rankin Jr. and Jules Bass
As with many of their films, Rankin-Bass outsourced animation of The Last Unicorn to Topcraft, a Japanese studio behind projects like Maya the Bee and Nausicaä of the Valley of the Wind
Visual development by Jim Martin for Atlantis: The Lost Empire (2001), dir. Gary Trousdale and Kirk Wise
More backgrounds from Clerks: The Animated Series
Art Dir. Alan Bodner
Concept art by Amélie Fléchais for Song of the Sea (2014), dir. Tomm Moore, Cartoon Saloon
According to the Song of the Sea artbook, Fléchais played a key role in defining the film's visual style, working alongside art director Adrien Merigeau
#関係者に届くまでリツイートされ続けると聞いて
DIR EN GREY、sukekiyoの曲をイメージしたイラストや京くんをちまちまと愛だけで描いてます。
……届いたら奇跡ですやん…
#DIRENGREY
#sukekiyo
#京
#イメージイラスト
#芸術同盟
#絵描き人
#創作の狼煙
#絵描きの輪
#落書き置き場
Visual development by Alexis Liddel for Adama (2015), dir. Simon Rouby, Naïa Productions
("Cat Happy" (1950), Terrytoons, dir: C. Rasinski, from a 1956 CBS anthology broadcast)
Character design pages by Vashti Harrison for Hair Love (2019), dir. Matthew A. Cherry, Everett Downing Jr. and Bruce W. Smith
Congratulations to @MatthewACherry and the rest of the team for the film's Oscar nomination!