Rouen
Museo delle Belle Arti

Laurent de La Hyre (1606 – 1656)

L' Adorazione dei pastori (1635)

📷 mie

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Battistello Caracciolo (December 7,1578–December 23 ,1635) was an Italian artist -resize-750

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His figure of the Dead Christ is a subtly powerful image. The crossed feet and attenuated form create a dynamic that causes Christ’s head to apparently project towards, & confront, the viewer. The Lamentation (1633), Holy Trinity (1635-6) & Apollo & Marsyas (1637)

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Susannah (c1634), Sacrifice of Isaac (1635), Belshazzar’s Feast (1636) & Portrait of Baartgen Martens Doomer (1640). Story telling is all in his religious works - tenseness, vulnerability & surprise. His portrait of Baartgen is a moving image of empathy.

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Susannah (c1634), Sacrifice of Isaac (1635), Belshazzar’s Feast (1636) & Portrait of Baartgen Martens Doomer (1640). Story telling is all in his religious works - tenseness, vulnerability & surprise. His portrait of Baartgen is a moving image of empathy.

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Attributed to Abraham van Dyck
1635 or 1636-1672
Woman Seated, Holding a Book

(The Morgan)

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There are a number of dramatic Flemish works including some showstoppers by Van Dyck. Rubens’ (1635-8) The Feast of Herod & Van Dyck’s St Sebastian (c1620) & The Lomellini Family (1626-7). Van Dyck returned to the homoerotic Sebastian regularly

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Guido Reni
San Matteo e l’Angelo , 1635-1640 ca
Olio su tela 85 x 68 cm
Pinacoteca Vaticana

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ユディト・レイステル『フルーツバスケットのある静物』1635-1640年 クレマー・コレクション

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