Amongst his most famous works is his Interior of the Irish House of Commons (Ireland had its own Parliament with only Protestant aristocrats represented), 1780. Travellers Resting on a Country Road (c1784) & Pastoral Scene (nd)

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Sumptuous robe of woven w/ self fabric textile poss. from made in 1735-40 altered c1780. Now on view Curated by

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PUSS IN BOOTS Renowned animal trickster; popularised in Perrault in the C17th as Le Chat Botté, in English in Mother Goose, 1780. This con cat shares many of the features of a household fairy including a desire for boots which could represent seven-league boots

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The Dutchess of Devonshire's gossip guide to the 18th century, Ladies Fashion Edition, 1780.

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Portrait of the Frankland sisters by John Hoppner gives an idea of the styles of 1795. Hoppner achieved fame as a brilliant colorist and first exhibited at the Royal Academy in 1780.

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Diana preparing for hunting, 1780. Francesco Bartolozzi 1741

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The Triumph of Amphitrite, 1780.

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‘A Highland Dance’ by David Allen, 1780. // Laura teaches Wes how to dance the Gay Gordons, 2018.

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In honor of here's a joyfully awkward cat on a from Galerie des Modes et Costumes Français, 1780. The catmom wears a Polish-style caraco dress of vermicelli toile. Art by Pierre-Thomas LeClère.

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The Salon du Dessin is thrilled to host an exceptional of 38 from the extensive archive of Maison - famous Parisian since 1780. This 1908 design of a tiara for Gertrude Vanderbilt is included. 21-26 Mar 2018, Palais Brongniart

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Portrait of Maria Eardley (1743-1794) in a wooded landscape, England ca 1780. The wealthy lady is wearing an exquisite silk gown, fine lacework, a bluish shawl etc. (Oil on canvas by Thomas Gainsborough, 1727-1788). Via: .

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Joseph Highmore.1692-1780. Academy Study of a Male Nude. Tate Gallery. London.

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2) Detail, Woman’s fr. India c. 1750; jacket, c.1750; remade c.1780. from excellent exhibit

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The Prophet Splits the Moon. Deccan, 1780. Simon Ray.

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