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⚡⚡ #akmalhssn_ Ducky Pheme #114 just got sold for 0.04BNB ($16.33).
Link: https://t.co/5ajkuQ2JSw
#Pentas
Girls (1933), Red Navy Swimmers (1933), Children (1933) & Behind the Curtain (1933). There’s been argument over Deyneka’s sexuality. It’s clear from his work that he was interested in showing both the male & female nude with sensuality & eroticism
Who will Defeat whom? (1932), In the Air (1932) & the Night Landscape with Horses & Dry Grasses (1933). The early 30s were about depiction of a new strong Russia as well as views of the idea of the Russian countryside that was to be protected
Lectora 125
Miss Julia Emily Gordon (1833). Sir David Wilkie.
📷 Tate
''Better gray than garish''.
- Jean-Auguste-Dominique Ingres. (1780)-1867).
Art. Ahasuerus at the End of the World.
Adolf Hirémy-Hirschl. (1860–1933).
Gibbons’ legendary portfolio as an art director includes nearly all of Harlow’s work at MGM—one of his most notable contributions has to be the dazzling set of DINNER AT EIGHT (1933).
The Souls of Acheron (1898) by Adolf Hirémy-Hirschl (Hungarian, 1860–1933). Österreichische Galerie Belvedere. Mercury on the banks of Acheron, the "river of woe", alongside departed souls awaiting their journey. #JudgementDay #Charon
Quelle baleine êtes-vous en ce #lundi? Le graveur allemand Jacob Schmuzer (1713-1775) a créé des dizaines d’illustrations pour le livre Discours sur l’histoire naturelle de Gottlieb Wilhelm (1758-1833). Plusieurs oeuvres de Schmuzer sont conservées au Musée. #MondayMood 📷MCN
A Thunderstorm on Lake Chiemsee, by German painter Georg Heinrich Crola (1833). Wadsworth Atheneum Museum of Art.
À Varallo, j'ai découvert un peintre caravagesque dont je dois avouer que je n'avais jamais entendu parler : Antonio d'Enrico, dit Tanzio da Varallo (Riale di Alagna vers 1580 - Borgosesia 1633). Ici quatre détails de ses œuvres exposées au musée local.
1633). Sep1997.
Am I stretching this to be an X-cover if it’s a reincarnation of the Living Monolith? Maybe, but this is a great cover by @rhomzombus!
The Souls of Acheron (1898) by Adolf Hirémy-Hirschl (Hungarian, 1860–1933). Österreichische Galerie Belvedere. Some of the deceased weep and wail, others seem resigned to their fate. #Mercury #GothicArt
Just want to share this art, my awesome friend, @k2s_0 made, of my new sona(finally have one <33). The concept is to interpret my skin asthma as markings in a cat character. Super happy how it came out.
Emparejador #Portadas @NewYorker - CDXVII
S. W. Reynolds (29/5/1926) y William Steig (15/4/1933).
¡A recuperar abrazos perdidos!
➕última serie
➡️➡️https://t.co/wyvzkXguB6
#TNYpairing 417 #illustrationartists #coverart
Pontormo’s most important pupil was Bronzino. The latter inherited his love of elegant lines & idiosyncrasy from his master. Noli Me Tangere (1530s), Martyrdom of St Maurice (1531) & Venus & Cupid (1533). The latter is based on a Michelangelo prototype too.
Girls (1933), Red Navy Swimmers (1933), Children (1933) & Behind the Curtain (1933). There’s been argument over Deyneka’s sexuality. It’s clear from his work that he was interested in showing both the male & female nude with sensuality & eroticism