Fête Champêtre (possibly with or by Titian, 1508-9). Both Titian & Giorgione were associated. Some claimed he was Titian’s master, others that they were fellow students. However Titian’s early work is derived in part from Giorgione. Their closeness is best shown in this work

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The genius of Giorgione was his break from the past & it’s archaic style in Venetian art. Portrait of a Warrior with his Equerry (c1509), Adoration of the Kings (1506-7) & Portrait of an Old Woman (c1508)

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Miriam Schapiro (Canadian, 1923-2015): Fête Champêtre [Homage to Giorgione], 1954.

Eric Firestone Gallery, East Hampton, NY. Oil on canvas, 78 x 105 in. © Estate of Mariam Schapiro.

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Sacred & Profane Love (c1514) is a beautiful placid work. He had moved on from Giorgione’s influence in painting style but kept his mystery & magic. The Three Ages of Man (c1512) & the ‘Gypsy’ Madonna (c1511) carry the same mood.

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Titian worked with the enigmatic Giorgione in his early years & their works are hard to separate (especially as Titian painted in his master’s style at first). Le Concert Champetre (c1509) may be by both, but Christ & Adulteress (c1509) & Virgin & Child (c1510) are probably his

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Thread: Titian (1488/90-1576) died on this day. He was, together with his master Giorgione, one of the great Italian Renaissance painters. He was famed for his female nudes, his psychologically intense portraits, religious & mythological scenes

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Giorgione
(Giorgio Zorzi, c.1478-1510)
Tempest circa 1505.
Gallerie dell'Accademia. Venezia.

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After five centuries, many mysteries of Giorgione's Tempest

remain intact

____

The Tempest (1505-08)

by Giorgione

Gallerie dell'Accademia, Venice - Italy

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Al centro del libro sono una formidabile figura di vecchia e i suoi conflitti di volontà con i figli, il suo bisogno di tiranneggiarli, la sua sete di potere...

Dalla recensione di Vittorini 'Una Diga sul Pacifico'

Giorgione

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