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Fête Champêtre (possibly with or by Titian, 1508-9). Both Titian & Giorgione were associated. Some claimed he was Titian’s master, others that they were fellow students. However Titian’s early work is derived in part from Giorgione. Their closeness is best shown in this work
The genius of Giorgione was his break from the past & it’s archaic style in Venetian art. Portrait of a Warrior with his Equerry (c1509), Adoration of the Kings (1506-7) & Portrait of an Old Woman (c1508)
Miriam Schapiro (Canadian, 1923-2015): Fête Champêtre [Homage to Giorgione], 1954.
Eric Firestone Gallery, East Hampton, NY. Oil on canvas, 78 x 105 in. © Estate of Mariam Schapiro.
Sacred & Profane Love (c1514) is a beautiful placid work. He had moved on from Giorgione’s influence in painting style but kept his mystery & magic. The Three Ages of Man (c1512) & the ‘Gypsy’ Madonna (c1511) carry the same mood.
Titian worked with the enigmatic Giorgione in his early years & their works are hard to separate (especially as Titian painted in his master’s style at first). Le Concert Champetre (c1509) may be by both, but Christ & Adulteress (c1509) & Virgin & Child (c1510) are probably his
Thread: Titian (1488/90-1576) died on this day. He was, together with his master Giorgione, one of the great Italian Renaissance painters. He was famed for his female nudes, his psychologically intense portraits, religious & mythological scenes
Giorgione
(Giorgio Zorzi, c.1478-1510)
Tempest circa 1505.
Gallerie dell'Accademia. Venezia.
After five centuries, many mysteries of Giorgione's Tempest
remain intact
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The Tempest (1505-08)
by Giorgione
Gallerie dell'Accademia, Venice - Italy
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Copy of Giorgione's "Tempesta", John Piper, 1952 https://t.co/ln4FhIifjC #harvardartmuseums #johnpiper
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Help us spread the word. #ReliefPH #7PointDemands
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Paypal: https://t.co/yWBw551TRB
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Help us spread the word. #ReliefPH #7PointDemands
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Giorgione