Given Bakshi’s stated admiration for Rackham and the similarities here, I think we can trace a chain of visual influence from Rackham, to Bakshi, to Howe, and eventually to Jackson. 10/12

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THE LOUSE AND THE FLEA: A Grimm tale ('Household Tales' [1812]), a flea mourns the loss of his spouse, the louse. His grief causes inanimate objects to cry as well, until a spring overflows killing him. (Illus: Arthur Rackham, 1909)

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Also I figured I’d do this because is getting attention
Hi I’m Spaghetti, I’m a 16 year old aspiring concept artist. My character in the OCT is Cecil Rackham, a dragon with a tank gun. This contest has taught me a lot about comics and time management.

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There had been helper Fates in old lore, but it’s Perrault who gave us the first “fairy godmother” in his 17th-cen Cinderella. Perrault’s sense of French beauty, magic, & sparkle, also gave us the glass slipper. A magical man. 💫

🎨Rackham, Doré, Sterrett

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Charles Dodgson —a maths prof who had a bad stutter—loved logic, wordplay, & syllogisms. In 1865, he put some of his favourite logic riddles into the mouth of the Caterpillar in that famous book he wrote, as Lewis Carroll. 📚💫#FolkloreThursday
🎨Tenniel, Rackham, Carroll, Disney

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An undine is a water nymph who gains a soul when she marries a human, but will die if he is unfaithful to her. A version of this myth was a popular C19th novella, wherein Undine returns to the water & her kiss kills her unfaithful husband. Img: Rackham, 1909

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NYMPHOLEPSY: A word for fairy abduction taken from Classical culture. (Image: Arthur Rackham, 1933, for Christina Rossetti's 'Goblin Market')

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The Goblin Market, a poem by Christina Rossetti, 1862. Two sisters: one is tempted by the fruit at the goblin market & almost wastes away. The other saves her sibling in body & soul by resisting the goblins with their fruit, at all costs. Img: A. Rackham, 1933

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Arthur Rackham, « Les Voyages de Gulliver », Swift, 1909 pour les couleurs

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“Be thou here again
Ere the leviathan can swim a league.”
Oberon, Act 2, Sc 1, AMND
Img: Arthur Rackham, 1908, detail.

A leviathan is a sea monster, originally referred to in the Hebrew bible. In Rackham’s time it was thought of as a dragon/crocodile hybrid.

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Arthur pulling the sword from the stone & Lancelot slaying a fire-breathing dragon. From the Romance of King Arthur, illustrated by Arthur Rackham, 1917

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"There came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton... It was the beating of the old man's heart." Illustration for Edgar Allan Poe's "The Tell-Tale Heart" by Arthur Rackham, 1935.

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Von Bayros, Arthur Rackham, Alphonse Mucha, Aubrey Beardsley.

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“We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?”
― Christina Rossetti, who wrote The Goblin Market, was born in 1830
(art by Arthur Rackham, Kinuko Craft, Pauline Baynes, & Hilda Koe)

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Cinderella in silhouette, by Arthur Rackham, 1919, for an edition of the story retold by folklorist CS Evans.

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Valkyries, once considered sinister spirits in mythology, chose which slain warriors were admitted to Valhalla, to live with Odin. Depicted here as fearsome, beautiful shield maidens.

🎨Arthur Rackham, Walter Crane
E R Hughes, José Luis Munoz Luque

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