I’ve always wanted to share my story and my characters for years. I still have school projects and work in the day, but i would stay up all night to work on my comic.

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White Noise is a character drive story portraying a whole spectrum of human emotion in a realistic but lighthearted way. A completr package from drama, angst, comedy, action, philosophy & science crash course- This is a fucking masterpiece because I said so

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Webcomics take a tremendous amount of work. It's one of the few places left in the industry with pure unfiltered talent and imagination.
Woodlands is it is a labor of love that my gf and I have poured years of our lives into.
https://t.co/gZ9I4sMXR7

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We've been making Webtoons since 2015 at an avg of 16hr/day every day with no breaks, we've developed injuries, we must advertise ourselves on every mayor SM platform & barely get any (if at all) creator support. At the very least our work such be respected,

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Mascots, friendship, monsters, oh my! Yuna & Kawachan on Webtoon

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I've been working on The Broken Ones for 3+ years and drawn over 200 pages. I post it for free so that hopefully people enjoy reading it as much as I enjoy creating it, it's Webcomics deserve as much respect as a medium for storytelling as any other.

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Oh yes! I love making some side hustles like my Red Lightning Universe Comics since 2016 ish...
Is not like I'm trying to make a studio or making it my job or something like that you know... 🙄

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Spending every waking hour thinking about these goobers and working on telling their story more hours than most normal people spend on their day-jobs is definitely

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Two years of this comic with self publishing and trying to make an intricate story for the literal 7 years of conception, how dare you say my comics a side hustle.

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Never was. Not even when I was working 12-hour shifts on my day job, and could barely manage to update. Not now, when I spend 80% of my time working on my comics. This is my passion and my craft and my hard work.

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Me and have been working on The Company of Sparrows for around two years now, and our test run comic for the contest was two months of work. Even with two people I was pulling 12 hour days between working full time... its

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Comics are for me. Since I was just let go from my day job, I am doing what I can to support myself and bring readers more content.

I create everything from scratch, including logos and assets and work alone with the support of my husband. Links below.

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I've been working on since 2010 (8-14 hrs/day) with over 70 chapters (28-50p each) which are also self-published.
I also have a full-colored webtoon spinoff series with over 170 episodes.
I create, print, edit, stream, ship, update and interact so it's

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Los webtoons son trabajos de tiempo completo, que incluso requieren que los autores tomemos de nuestro propio dinero para contratar asistentes y poder sobrevivir las deadlines infernales.

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I'm just a Canvas side of the platform, but I work on this comic non-stop. Because comics are a labor of love. It's .

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I gave up my old career and started a new one from scratch for my comic.

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I'm an assistant and a Co-creator, and BELIEVE ME, this isn't a "fun side-hustle". How about some respect for the EXHAUSTIVE HOURS OF JOB AND TERRIBLE DEADLINES you put at us, huh?

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