bassanoのTwitterイラスト検索結果。 94 件中 3ページ目
BASSANO: I don't want to make fun of a kid, because this... sure looks like a kid made it
BEARBERRY: Okay, fine detail, that sucks, but honestly 'bear berry bush' is fun
BEAUMONT: French for 'triforce'
BEAVERLODGE: This beaver is -done-
The subject of ‘Orpheus Charming the Animals’, by Italian artist Leandro Bassano, is taken from Ovid’s ‘Metamorphoses’. Learn more about this and other featured artworks on our exhibition webpage, through the following link - https://t.co/R8ca5hA8Rv
#art #oldmasters
3/3 Cupid playing with the dog. Excellent way to spend Valentine's Day! Jacopo Bassano knows that, and it's been his day.
Martha & Mary welcoming Christ (& his dog) into their unusual indoor-outdoor kitchen. By Jacopo Bassano, d. OTD 1592.
3/3 Animals emerging from the ark. Noah (in background): Lord, I will sacrifice a sheep to you in thanks. Lord: Fool, you only have 2 of each animal! Noah: Brought an extra! By Jacopo Bassano, d. OTD 1592.
Jacopo Bassano, ou Jacopo dal Ponte ou même Jacopo Bassano l'Ancien (Bassano del Grappa, 1510 - Bassano del Grappa, 13 février 1592) est un peintre italien maniériste de l'école vénitienne
@albertopetro2 @DavLucia @GerardBigPlus1 @Rebeka80721106 @marialves53 @agustin_gut @martinis2018 @Messe11 @djolavarrieta @rebeccaabdu @arteeblog @Make_u2_happy @angela3nipoti1 @AlessandraCicc6 @BaroneZaza70 @BrindusaB1 @dianadep1 @smarucci461 @scastaldi9 @EnricoCastrovil @BB_Aesztia @MarisaPetrina @doritadia @gori_magnani @paoloigna1 @Giorgio51589046 @kapii7 @MariangelaSant8 @FriendArt_ @neblaruz @CaterinaCategio @LunaLeso @Titas37 @cmont4560 @quis_gomez @lissablu68 @tizianacampodon @SimonaMascaro @migliaccio31 @marmelyr @NadiaZanelli1 @ritamay1 @licprospero @Barbaga3Gaetano ~Jacopo da Bassano
1510-1591
~Fuga in Egitto
1534
(Chiesa di San Gerolamo)
Bassano del Grappa - Museo civico
Buona serata, Alberto e amici tutti 🌿
@Spiros209 A bone to the dog is not charity. Charity is the bone shared with the dog, when you are just as hungry as the dog.
― Jack London
(The Good Samaritan - Jacopo Bassano, 1563)
Bassano’s Way to Calvary shows Veronica.
She offers her veil, & Christ looks at it as if at a mirror. Christ's face is shown, & yet also hidden. Veronica is unveiled, revealed, & Christ's imprinted face remains a future, veiled, event.
#ReligionAndArt
The representation of the seasons through human activities relates to the ancient and medieval cycles of the months.
👤 Jacopo Bassano
🖼 L'Autunno
#galleriaborghese #roma #artgallery #masterpiece #artmasters #artmasterpiece #rome #ig_rome #borghesegallery
When you have two Lazaruses, they would still rather fight for bread crumbs than seek to sit at the table.
The distance between the floor and the seat is not 900mm. It could be Generational Years. A whole Mindset. Hard to explain!
Bassano del Grappa The Rich Man and Lazarus.
Vulcan, the Roman god of the forge, made a mirror that could show the past, present and the future...
In one story, Cupid gave it to Antinous who gave it to Penelope, who saw within it, "the court of Queen Elizabeth..."
🖼Bassano
#mirror #mythologymonday @MythologyMonday
@doritadia @migliaccio31 @albertopetro2 @martinis2018 @AndreWisniewsk2 @Rebeka80721106 @claudioborlotto @marialves53 @1alert1 @Dominiquepucini @agustin_gut @yianniseinstein @ValerioLivia @matibo11 @hermete3 @gori_magnani @neblaruz @Giorgio51589046 @kapii7 @Messe11 @MariangelaSant8 @Make_u2_happy @lev_yurij @bmarczewska @DavLucia @hubin369 @monica74761144 @FriendArt_ @angela3nipoti1 @BaroneZaza70 @cmont4560 @DeTwiterr @anne_camozzi @Carmela_oltre @djolavarrieta @pieroBENEDETTO @monicasloves @BB_Aesztia @ampomata @Amyperuana @GerberArancio @albert_cunill @eoff_sylvia @paoloigna1 @licprospero @ritamay1 @BrindusaB1 @EnricoCastrovil @AlessandraCicc6 @SimonaMascaro Vere fur queste gioie e questi ardori
ond’io piansi e cantai con vario carme,
che poteva uguagliar il suon de l’arme
e degli eroi le glorie e i casti amori.
Torquato Tasso
“Rime” (1567)
-Francesco Bassano
“Estate: Giugno, Luglio, Agosto”
(1585)
Jacopo Bassano’s Adoration of the Kings (1542), Guercino’s The Virgin & Child (c1615) & Giovanni Battista Pittoni’s (1725) The Apotheosis of St Jerome with St Peter of Alcántara & a Franciscan. The historic-style hanging of works in the museum add to their dramatic qualities.
@kapii7 @migliaccio31 @ValerioLivia @bmarczewska @albertopetro2 @CristianeGLima @marialves53 @MariangelaSant8 @Make_u2_happy @LunaLeso @martinis2018 @smarucci461 @Rebeka80721106 @DeTwiterr @anne_camozzi @angela3nipoti1 @AlessandraCicc6 @albert_cunill @gori_magnani @ANNAMARIABIASI1 @Biagio960 @CaterinaCategio @paoloigna1 @tizianacampodon @smc_su @peac4love @monica74761144 @arteeblog @BaroneZaza70 @BrindusaB1 @monicasloves @Messe11 @yianniseinstein @claudioborlotto @erminiopasquat1 @FriendArt_ @lissablu68 @ampomata @cmont4560 @agustin_gut @ritamay1 Voi dunque, aprici colli ameni e lieti,
adorni di smeraldi e di zaffiri,
e voi, fide compagne a’ miei sospiri,
dolci aure, udite or gli alti miei secreti.
Bernardo Cappello (1556)
-Francesco Bassano
“Giugno” (1574)
Jacopo Bassano’s Adoration of the Kings (1542), Guercino’s The Virgin & Child (c1615) & Giovanni Battista Pittoni’s (1725) The Apotheosis of St Jerome with St Peter of Alcántara & a Franciscan. The historic-style hanging of works in the museum add to their dramatic qualities.