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Marie Adelaide of France as Diana, by Jean-Marc Nattier, Uffizi
[#ArtOfTheDay]
🖼️ Terpsichore, Muse of Music and Dance
🎨 Jean-Marc Nattier
📅 ca. 1739
🏛️ Legion of Honor // San Francisco, United States
#art #terpsichore #muse #music #dance #mythology #jeanmarcnattier #rococo #oilpaint
If there's one thing I learned today, it's that the Marquise d'Argence Did Not Fuck About when it came to big bows 🎀
🎨 Portrait by Nattier, 1744 https://t.co/y8ta3QuO9w
@GiuseppeTurrisi @albertopetro2 @Asamsakti @Navymat @LuciaTassan @angela3nipoti1 @AdrianaCioci @maype7 @eoff_sylvia @paulbar59067209 @redne2013 @martinis2018 @Biagio960 @BrindusaB1 @FlaminiMarina @Rebeka80721106 @migliaccio31 @PasqualeTotaro @agustin_gut @albert_cunill @marialves53 @CaterinaCategio @ValerioLivia @alecoscino Terpsichore, Muse of Dance / Jean-Marc Nattier, 1739
Perseus, under the protection of Minerva, turns Phineus to stone by brandishing the head of Medusa.
Jean-Marc Nattier, que se tiró media vida para pintar ese cuadro 🖼.
#ieda
@yianniseinstein @javiango @scastaldi9 @agustin_gut @angela3nipoti1 @albertopetro2 @dianadep1 @DavLucia @Rebeka80721106 @smarucci461 @BaroneZaza70 @culture_more @AnnaMar90949897 @CaterinaCategio @gori_magnani @ritamay1 @paoloigna1 @BryanMatthews23 @henrirousseau12 @migliaccio31 @Dida_ti @claudioborlotto @FriendArt_ @martinis2018 @ANNAMARIABIASI1 @MaurilioVitto @redne2013 @ampomata Perché non posso vedere il tweet di @javiango?
che cose strane si registrano su Twitter 🤔
Grazie, Yiannis:-)
~Jean-Marc Nattier (fratello)
~Ritratto di Madame Bouret come Diana
1745
Museo Thyssen-Bornemisza, Madrid
@javiango @scastaldi9 @agustin_gut @ValerioLivia @angela3nipoti1 @albertopetro2 @dianadep1 @DavLucia @Rebeka80721106 @smarucci461 @BaroneZaza70 @culture_more @AnnaMar90949897 @CaterinaCategio @gori_magnani @ritamay1 @paoloigna1 @BryanMatthews23 @henrirousseau12 @migliaccio31 @Dida_ti @claudioborlotto @FriendArt_ @martinis2018 @ANNAMARIABIASI1 @MaurilioVitto @redne2013 @ampomata Jean-Baptiste Nattier ( 27 September 1678—23 May 1726 ) was a French painter.cimon and pero
Marie Françoise de La Cropte de St. Abre, Marquise d'Argence (born 1714)
1744
Jean Marc Nattier
Jean-Marc Nattier
Marie Adelaide of France as Diana
Pero los dioses deberían castigar a quienes osan pintar a sus divinas presencias con modelos humanas como esta, por muy princesa que sea.
Para siempre. En el tártaro.
#Cuadrosespantosossobretemasdelamitologia
#ieda
The Duchess of Parma and Her Daughter, by Jean-Marc Nattier (French), 1750, @HillwoodMuseum #paintingoftheday
Jean-Marc Nattier, an acclaimed 18th-century portraitist, was known for his mythological style, painting women in imagined costume that was only loosely based on fashionable trends, as is true in his 1750/60 Portrait of a Woman. Read more!
https://t.co/vpqnMOLUMs
Certains jouent au Mikado, d’autres au pousse-épingle, certains y voient «Louis Tocqué... élève de Nattier», d’autres y reconnaissent François de Troy. Cette jolie scène (62 x 54cm) qui préfigure un peu Chardin, le XVIIIe, vient de rejoindre le (futur) musée du Grand Siècle
Portrait of Marie Leszczyńska
painting by Jean-Marc Nattier
Jean-Marc Nattier, an acclaimed 18th-century portraitist, was known for his mythological style, painting women in imagined costume that was only loosely based on fashionable trends, as is true in his 1750/60 Portrait of a Woman.
https://t.co/vpqnMP3wb2
#fashionhistory
Study of Portrait of a Young Woman by an anonymous artist and Jean-Marc Nattier! Mine turned out to be the less sepia toned version.
Painting process of this piece will be going up on my Patreon shortly!
#mossery #acrylagouache
Acquisition de musée : @latiaris signale que cette double étude de Nattier (Pierre noire, craie blanche, 178 x 378 mm) a été vendue #GalerieTerrades au musée de San Francisco (@legionofhonor @deyoung). Ils possèdent Thalie depuis 1954, la Melpomene n’est connue que par la copie
Jean-Marc Nattier, an acclaimed 18th-century portraitist, was known for his mythological style, painting women in imagined costume that was only loosely based on fashionable trends, as is true in his 1750/60 Portrait of a Woman. Read more!
https://t.co/vpqnMP3wb2
#18thcentury