My other dragon for the Follow the Dragons project. This is Boxer who is representing neurodiversity! His route will be starting at The Box Plymouth

1 2

Growing up with low latent inhibition, has always had a unique way of finding meaning in his surroundings.

📸 But with photography, the Nigeria-native turned his neurodiversity into a superpower 👇🧵

27 53

MILO AND MONTY (Roxanan de Rond) are two puppies that do everything together. But Monty loves people and Milo is nervous. The child owners learn Milo loves them just as much as Monty, he just shows it in his own way. A good book for chn with neurodiverse friends &family.

2 6

Sara is comfortable inside her bubble. It’s quiet and safe in there. But when she sees a classmate struggle with his own kind of worry, Sara’s big heart comes to the rescue & her whole world opens up. *POP*

0 4

Bee Happy
By Art Is My Weapon
inspired by bees & 💜🎨♾️🐝

2 10

For digital art at York campus students explored ‘October narratives’ related to animal rights and preventing animal cruelty.🐄🐄

0 5

O que camuflagem social ?
Ao longo de suas vidas pessoas neurodiversas aprendem a esconder seus comportamentos e stims e passam a imitar o comportamento dos outros.

10 70

Building workplace connections with |

The challenges faced in the workplace by those who are neurodivergent in today’s environment.

https://t.co/98vC6z124y

0 0

Late for but I'm Emily an author-illustrator who loves monsters and folklore. Currently open to picture book, middle grade and comics. I am especially interested in Jewish, LGBTQ+, and neurodiverse stories.
Rep:
Website: https://t.co/GlHNrKHo1B

3 6

English Version!
Part 2 of my comic "Things I love about my Autism". What do you like about your neurodiversity?

1/2

20 76

📌 Hi! I’m Luna, neurodiverse nonbinary Mexican 2D artist. 🌈🇲🇽

I mainly draw original content and sometimes fan art. 🎨🎮

Thank you for interacting. 💬🔁♥️

🔗 Links ⬇️

6 13

The rough script on neurodiversity is pretty much done, just obtaining feedback from others before I do anything else.

3 61