【Secret Lair】
『Just Some Totally Normal Guys』が公開されました
・《溜め込み屋のアウフ/Collector Ouphe》
・《Goblin Settler》
・《復讐蔦/Vengevine》
・《虚空の選別者/Void Winnower》
イラストレーターRoman Klonek氏によるセット
・Foil$39.99 ノンFoil$29.99
https://t.co/CbQdLvseUv

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POV: The television is going to grab you. You have nowere to run

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commission for of Vvephriel, Knower of the Morag Tong 🕸️

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and THIS. is The Knower. he teaches history and philosophy.

He has lived thousands of years and seen the worst of mankind. a solemn, wise old man.

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a knower thing. just 4 fun

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Today’s spotlight goes to our oh so precious, adorable Knower, Tally Craven. Her character development all throughout the two seasons is my favorite and I can’t wait to see what’s in store for her in the next season!

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Snowers except in Taiko no Tatsujin style

For:

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Age of Bronze by Eric Shanower bases his Trojans as a historical Hittite culture

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I need to make more object ocs based off songs. I only have her, knowers will know which song

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“She didn’t have to live with it, at least. I do not envy the friend of the Knower"
"Jack? That cute little blue polar fox? Nah! I dunno""










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どうか

無機質に奪わないで。

恐怖と悲しみに流れる涙が増えませんように。

 

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I'm Shepi🦊
Owner of Shepi's Stories and knower of the unknown! But when I'm not managing my library I stream on twitch! Showing my audience magical and frightening worlds.

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Doot doot art train~ 🚂 Thanks for tagging me!
Here's some humanized Winnower and Gardener goodness bc I'm a simp ⚪🔺

(Tagging....whoever wants to do this lmao idc plus I know the endless notifications from tagging can be annoying) https://t.co/O3VedyXhIM

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Millet was considering the idealised nudes of the academic painters & sought to create an honest version. The Goose Girl (c1863), A Winnower (1866-8), the Reaper (c1866-8) & Path with Chestnut Trees nr Cusset (c1867)

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In 1849 he settled in Barbizon, a rural village in Île de France. He also painted Harvesters. Barbizon would lead him to adopt a more naturalistic, less idealised, image of rural life. The Winnower (c1848), Feeding the Young (1850) & the Gleaners (1850)

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In 1840, he had a portrait accepted by the Salon. Between 1841-5 he lived in Cherbourg, Paris & Le Harve. In Paris he wd meet Troyon, Charles Jacques & Daumier. In 1847 he gained success with Oedipus & Winnower (1848), Peasant with Wheelbarrow (c1848) & the Bather (1846-8)

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