I've been working on this webcomic since 2019, and planning it since 2017. Literally put my whole being to try to make this project work because it's...

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Sorry but my 2+ years, several hours a week, of working on this webcomic is !!

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50+ Hours a week. 3 Years to write the story. Respect the creators and the craft. These are
https://t.co/sQrl0JEnZH

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I spend practically all my free time working on Coming To The Lavender. It took me over a year to build up my season 1 buffer. WT gives me the extra work of censoring my pgs too https://t.co/ujVM6TkFQp

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Making comics for both myself and the numerous companies and clients I've worked with is literally my primary source of income

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Lean Lupe Mágica, que me haya quedado ciego y pelón no haya sido en vano, anden

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I'd just like to say...webcomics are a viable form of literature and art. It is a LOT of work to make every chapter. Being a webcomic artist has been my dream since I was young and I have put countless hours into it. I am proud to be one. It is

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I put a buttload of work into my comic because it’s my first big project that I’m creating simply because ✨I want to✨

It should be apparent from https://t.co/UuhyLhBUxE that I love making this story and I want you to enjoy reading it🚀

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I don't think it takes a genius to know that 12+ hours ain't new or experienced
And mostly for those who work solo on their content

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I’ve always wanted to share my story and my characters for years. I still have school projects and work in the day, but i would stay up all night to work on my comic.

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White Noise is a character drive story portraying a whole spectrum of human emotion in a realistic but lighthearted way. A completr package from drama, angst, comedy, action, philosophy & science crash course- This is a fucking masterpiece because I said so

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Webcomics take a tremendous amount of work. It's one of the few places left in the industry with pure unfiltered talent and imagination.
Woodlands is it is a labor of love that my gf and I have poured years of our lives into.
https://t.co/gZ9I4sMXR7

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We've been making Webtoons since 2015 at an avg of 16hr/day every day with no breaks, we've developed injuries, we must advertise ourselves on every mayor SM platform & barely get any (if at all) creator support. At the very least our work such be respected,

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Ne bossant pas pour Webtoon, mes contraintes de temps sont moindre, mais je peux vous garantir que j'ai quand même du renoncer aux 35H depuis que je bosse pour l'Agonie du Jour.
Et que je fais de mon mieux pour produire un contenu de qualité suffisante.

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Mascots, friendship, monsters, oh my! Yuna & Kawachan on Webtoon

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PSA :

Sure, my comic JRR is my "side hustle"

But NOT ALL WEBTOONS ARE "SIDE-HUSTLES" & CAN BE FULL TIME JOBS, COMMITMENTS, ETC

You know what we all got in common?

WE SPEND HOURS, DAYS, WEEKS, MONTHS, YEARS ON OUR WORKS! DONT DEGRADE US! ‼️

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I've been working on The Broken Ones for 3+ years and drawn over 200 pages. I post it for free so that hopefully people enjoy reading it as much as I enjoy creating it, it's Webcomics deserve as much respect as a medium for storytelling as any other.

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The problem with webcomics is that I don't get paid to make them even if trying to, even if i'm lucky to have a Patreon. So I am forced to take side-hustles to keep me alive. And then my side-hustles become main jobs and comics become my side-hustle. See the flaw?

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Oh yes! I love making some side hustles like my Red Lightning Universe Comics since 2016 ish...
Is not like I'm trying to make a studio or making it my job or something like that you know... 🙄

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