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@Dededaio same, same, i miss this style of art and colouring. may i also bring up salvador larroca's art on chris claremont's fantastic four run which i love?
Countdown to the Labors of Magik
Day 7
In just three issues (UXM 171 & New Mutants 14,15) Claremont quickly established Illyana's relationship with Kitty. These issues show their mutual affection, acceptance and support while also hinting at something deeper.
Say what you will about X-Men Forever (2009), but Chris Claremont’s Jean is unparalleled. You can tell how much he loves her by how he writes and regards her. Under his pen, she is complex, conflicted, courageous, self-sacrificing, and powerful beyond measure.❤️🔥
1/3
Some call him the godfather of X-Men, but me? I call him the next #Supercon guest ⚡ Chris Claremont (X-Men, New Mutants) will be in Miami Beach July 8-10!
Round up 3 friends & get the Squad Weekend Bundle – that’s four 3-Day 🎟️ for only $300! Buy now: https://t.co/vOtiGhzzEC
Lund focuses on Claremont’s three main southern characters as case studies: Rogue, Cannonball, & Gambit, extrapolating on how each embodies Southern values and ideals, paying particular attention to scenes set in their respective home locales. 2/6
💙🐺COMISIONES ABIERTAS💙🐺
MD Preguntas y pedidos
¡SOLO ACEPTO TRADEO DE DIBUJO COMO PAGÓ! (Si no sabes dibujar lo arreglaremos tu y yo en el MD la forma de pagó)
SI QUIEREN MÁS EJEMPLOS DE MIS DIBUJOS AL MD nwn!
¡RT y ❤ SE AGRADECE MUCHO!
Tava pensando aqui: eu não quero mais a skin da Kayle Eclipse
Por mim, agora, podem deixar ela so como a deusa "Sun Eater" que guia os Eclipse acima do firmamento
Nem como Lendária mais
Eu sinto que no momento que eles revelarem o visual dela, a magia de imaginar vai acabar
The level of self-awareness and self-mockery is clear. Claremont knows that he’s wordy (poor Tom), and that he’s at odds with an editorial direction that is seeking to expand the franchise beyond what Claremont sees as its natural capacity. 8/9
X-Men Vol 1 #114 (1978) // Marvel Comics
Storm (Ororo Munroe)
By Chris Claremont and John Byrne
https://t.co/JOGD7fQ7Rh
Drew Claremonde in a Cowkini! :D
#art #artist #artwork #anime #animeart #animedrawing #animeartist #animegirl #draw #drawing #drawings #digitalart #digitalartist #digitalillustration #digitaldrawing #oc #ocart #ocartwork #cowgirl #cowkini #blondehair #blonde
In a selected chapter for “Comics Studies: A Guidebook,” covering the very broad subject of “Superheroes,” scholar Marc Singer provides an account for the secret of Claremont’s success as writer of X-Men comics: representational metaphor. #xmen 1/6
From there, taken as a whole, the mutant books - Xmen, Xfactor, NM & Excaliber interrelated and interdependent move together and separately like a suprisingly well-oiled beast for the rest of the Claremont run. 9/10
UXM 217-218 represents an important turning point and litmus test for the entire series. In the wake of the mutant massacre, Claremont uses this arc to try out new X-Men, a new direction for the series, and even a new penciler who will go on to redefine the franchise. #xmen 1/7
Claremont only gives us three of the x-men’s sefirotic positions. would love to know more, but that way may lie the Twelve.
Heroes for Hope Starring the X-Men #1 (1985)
Drawn by Brian Bolland, Written by Chris Claremont
Rather than portraying a man desperate to return to action, Claremont portrayed Havok as a reluctant superhero who craved a simpler life in a few minor appearances in UXM. In MTU, however, we get the development of some key Havok character traits that would later define him. 3/6
In Marvel Team-Up 69-70 Claremont crafts a story that might be seen to bridge the gap between silver-age Havok and the Havok that Claremont would later bring back into the fold and cultivate to his greatest character depth in the pages of UXM. #xmen 1/6
Chris Claremont laid the groundwork for Kitty Pryde and Kurt Wagner/Nightcrawler to develop one of the X-Men franchise’s most complex and sustained cross-gender friendships. 1/8 #xmen