Martin Whitly is horrifying and hilarious in equal measure and I’m here for it! Here’s my fanart.

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Martin Whitley, you are horrifying and hilarious in equal measure and I’m here for it. Here’s my fanart!

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Design: Nico
Gameplay: Nero
Story: V & Lady

But if we're talking my absolute bar none fave? The prodigal daughter.

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"To the objects of oppression he is prodigal of pity, yet penurious of relief; & to its authors, ready to condemn yet unwilling to chastise"
Edmund Burke castigating Charles James Fox in the debate in on the French Corps Bill 1794

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Did you know about this ? https://t.co/1Ezdxyj0Oj The 1984 LP "Electric Eye" - "Prodigal" has a special groove by the edge of the label 8 revolutions worth of audio & contains a boot-able Commodore 64 program in BASIC.

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Day 3 of rendering. I just want to dive into the details, but I should wait until tomorrow.

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I’m participating in and since people like the sketch so much, here’s day 2, color picking. Now that I’ve posted it online I see a bunch of mistakes but luckily this is a so I can still fix them.#prodigalson

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Hey Twitter ~

Je sais qu'il est tard, mais je partage quand même le temps que j'y pense

J'ai fait des p'tits chibis de Malcolm Bright de Prodigal Son, interprété par Tom Payne (l'acteur qui jouait Jesus dans TWD)

Voilà voilà~

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Prodigal sons and wayward daughters

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Lent drawings Saturday Week 2: The Prodigal Son. “Father, I have sinned against heaven and against you. I no longer deserve to be called your son; treat me as you would treat one of your hired workers.” https://t.co/2JS2KOlaXe

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Literally could not resist making these. I tried. Happy Monday! Give one to a fellow Prodigy you love. 😘


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DR. WHITLY is a BEAR. Thanks for this lovely idea!

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Blues, greens & reds became really important to him & he was now painting confidently in his own signature style. Village (1913), The Soldier (c1914), Return of the Prodigal Son (1914) & Hexenritt (1916). Images of good & evil marked WWI

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Keep me off twitter so I can get some drawing done. Here’s a work in progress...

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