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a continuation of my 'being bad at clean lineart so instead doing really sketchy lineart and calling it a stylistic choice' strategy
I'm honestly a lil obsessed with the 1630s/40s as a period it was so poofy and extra I luv it (+some references)
虛擬賭場上線囉1630
²ᵁᴾ349 07121630(測試時刻)晚上去看女兒們亂入別人台 晚上不開(介面亂了改一下用了一年的介面 #台灣vtuber #TWvtuber #台V
twitch https://t.co/Aco3uF4oqo
youtube https://t.co/UnonDrsi3n
Amongst artists The Magdalene inspired fascination as an image of an outsider. Here’s Reni’s images of the former prostitute seeking spiritual enlightenment from the 1630s. They reflect an artist apparently struggling with the church’s teachings on sexuality
She was in Naples by 1630. There she worked in a Cathedral for the first time; San Gennaro. Salome with the Head of John Baptist (nd). It’s likely she excised her demons through her work & also that collectors liked the work in that it referred to her then famous trial.
ラ・トゥール展で目を奪われた作品。1630~1635年頃に描かれた『聖ヒエロニムス』/ 作者は不明で「(ロウソクの)灯りのマエストロ」と紹介されていた。暗闇に薄っすらと浮かぶ髑髏が印象的。明かりに強烈に照らされた聖ヒエロニムスの表情も忘れ難い。
Whilst citing @sothebys coming sale Rembrandt's tiny 1632 "Self-portrait in Hat" LEFT-Over Half a Century's research we rediscovered two of his lost "Self-portraits" RIGHT "c.1630 Self-portrait" with Infra-Red Reflectographs of Bold"Underdrawing" & other "Pentimenti Studies"🧑🎨
アンソニー・ヴァン・ダイク『白いエプロンの少女』1630年頃、アシュモレアン美術館
Anthony van Dyck, Portrait of a Young Girl in a White Apron, C.1630, The Ashmolean Museum, Oxford
Flowers the golden Age of Dutch #Art
🎨🖌️
#Masterpieces #Mauritshuis #Museum #Netherlands
Title: Still Life with Flowers in a Decorative Vase (1630–1693)
women artist: Maria van #Oosterwijck 2 of 3
after hundreds years
roses still bloom in the same way 🌹
@dianadep1 @1Atsuhimerose2 @angelicadisogno @ampomata @LuciaTassan @BrindusaB1 @Spiros209 @djolavarrieta @scastaldi9 @bmarczewska @neblaruz @bgv_online @lissablu68 @artmajcar @monica74761144 @alleosa @agustin_gut @CristianeGLima @maluisa_3 @albertopetro2 @ceconomou56 @ritamay1 @Rebeka80721106 @BaroneZaza70 @CaterinaCategio @karmendida @famartinez2001 @claudioborlotto @cristob45 @kamabi Muchísimas gracias por todo lo compartido querida Diana! 🙏🌻
Feliz fin de semana para ti y para todos los amigos! ☀️
Guido Reni 🎨
Ángel de la Anunciación (1575)
Muchacha con una rosa (entre 1630 y 1631)
Retrato de una dama como una sibila (1635)
This is one of my favourite little paintings by Rembrandt. Jeremiah (1630) is lamenting the destruction of Jerusalem. The feeling of sadness & loss is palpable. The miller’s son really understood & translated emotion. Viewed in the museum, the sadness is devastating.
started a self portrait circa 1630 lol (WIP) it’s been a hot minute since i have painted anything
Summer, 1630 https://t.co/phGF3iAo45 #flemishart #peterpaulrubens
En Italie aussi les ventes ont repris et chez @PandolfiniAste le 1er juillet prochain, il y a cet impressionnant Couronnement d'épines (T. 126 x 150 cm) qu'ils laissent prudemment à un peintre actif à Rome vers 1630. Certains ont pensé à Tiarini. Il est estimé 60/80 000€
Portrait of Helena Fourment, 1630 https://t.co/fgNQaVVQ0p #baroque #flemishart
Maria Van Oosterwijck
(1630-1693).
Rijksmuseum Amsterdam
#baroque
#dutchgoldenage
#womensinart
Jan Erasmus Quellinus The Death of Eurydice', ca. 1630, Flemish School, Oil on canvas, 179 cm x 195 cm, P01630. Museum: MUSEO DEL PRADO, MADRID
'A Lady with Flower & a Fly-whisk', c1630 #MughalArt now at #DavidCollection
'The sensual rendition must be considered a personification of the period's ideal of beauty. The clinging transparent garments giving more than an intimation of sweetness...'
@DalrympleWill @iamrana