‘An answer to the print of John Wilkes Esq by William Hogarth’ hitting back at Hogarth depicting him holding the original print of Wilkes and behind him a rather ugly figure, suggesting Hogarth still sees beauty by including the line of beauty on the canvas behind him.

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A few places left for our fab "Art, Women & Sexuality in the 18th Century" symposium on Mon book here https://t.co/1BwWtDdbt5 incl talks on Greuze, Magdalen Hospital, Pamela, Mothers Bosoms & Bliss plus tour of show

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An Election Series - 'Though set in the fictional constituency of 'Guzzle-down', Hogarth's attack on the fatuousness and corruption of contemporary politics draws its inspiration from polling in Oxfordshire during the General Election of 1754’

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It's the birthday of William Hogarth, English painter and pictorial satirist. The Lazy S was his signature and here's my take on it

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You can find Hogarth's original print of Wilkes (and many others) at https://t.co/PMYG8mxfgA. Spot the differences!

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gave his name to satirical illustrations of modern moral subjects. 'Mariage à-la-mode' is a series of 6 hogarthian pictures.

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These are Hogarth's servants, he painted these would-be forgotten & unseen folk in the mid 1750's

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The Carpenter’s Yard 1727 by - That one with the long pole needs to watch he doesn’t chop his head off ...👀

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Spot differences between Hogarth's print of Wilkes (below) and 19th-century copy (above). Bad copies harm Hogarth's reputation as an artist.

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The Four Stages of Cruelty - showing that ignoring small acts of cruelty, even from children, leads to greater ones from adults.

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Trying to stay in the weekend party mood ignoring the fact it's Monday tomorrow- Marriage A La Mode detail

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Here is Hogarth's print of John Wilkes, for information about it, see https://t.co/pZpZhDnQDU

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When you try and get people to look in the same direction for a photo 🤔😆 - Hogarth's Servants, mid-1750s

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'There is something pleasingly disconcerting about Hogarth's common touch.' 👉🏻 https://t.co/6gty6JPFm3 Worth a read!

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Sigismunda mourning over the Heart of Guiscardo (her murdered husband) by was criticised in the exhibition in 2007 🎨😒

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Uncovered this 1993 David Grove-esque piece I did in art school (which had an orange dot as logo) The legendary Burne Hogarth posed for me.

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Hogarth's gin drinkers didn't add tonic.

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Max Schmelcher: Portraits, 2013/14, Moor

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