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Toriyama's full color title page for "Mahimahi the Lungfish" in WSJ No.4-5 (1998/12/19)
Toriyama kept two lungfish of his own when creating this. Their unbelievable ecology is adapted in an humorous fin.
*This is republished from a 2018/03/15 article
https://t.co/2Ldjr8B21W
Hideto Azuma, l’éditeur d’Araki, lui avait conseillé de faire de Jolyne un homme afin de mieux cibler le public du WSJ. Araki a refusé disant que le fait que les lecteurs n'accepteraient pas un rôle féminin était exactement la raison pour laquelle Jolyne devait être une femme.
Pretty bummed to see #PhantomSeer end after only 30 chapters. It had an interesting storyline, fun characters, and superb illustrations.
Thank you for 30 exciting (and sometimes scary) chapters, Goto-sensei and Matsuura-sensei. I look forward to your next work!
#anitwt #WSJ
Toriyama's Cover Illustration contribution for his Neko-Majin series in the double issue of WSJ No. 37-38 (1999/08/10) — It's National Cat Day on February 22
*This is republished from a 2018/02/22 article
https://t.co/so78SFNkoC
"There are villains that are fun to draw and villains that are fun to think about. The former are the Toguro Brothers and the latter is Tarukane." - Yoshihiro Togashi
(WSJ #48, 1991. Chapter 47. B•B•C!)
#垂金💸#戸愚呂兄弟🕶️🧃#幽遊白書
@toastyhehet wsj manhwa all saints street spoilers //
N NICK TRIED TO . TRIED TO ASK HIM OUT... WHEN THEY WERE YOUNGER .. IT'S SO FUCKING FUNNY
"Uma Musume Cinderella Gray" colored illustration in this weeks WSJ issue
#manga
Toriyama's Idea Sketch for "Sonchoh", which later debuts in WSJ No. 5 (1987/12/18) — It's published alongside DB's 155th chapter w/ a mirroring title page
A logo, names, & designs for the final work are ft.
*This is republished from a 2018/01/19 article
https://t.co/RNY72Kjr1i
These Jujutsu Kaisen figures are the chibi version of this WSJ issue 25 cover