LaREMのTwitterイラスト検索結果。 1,571 件中 23ページ目
@IowasJoe @Big5Army #QueenOfTheDarkNight #1: Van Meter,Turner, Tanguay
#DarkCrystal #1: Anthony Kraft, Blevins, Colletta, Roussos, Chiang
#AlphaFlight #1: Byrne, Yanchus, Rosen
#UncannyXMen #175: Claremont, Smith, Romita Jr, Wiacek, Wein, Orzechowski
Just realized I omitted mine earlier. 👍
GAMBIT #1 (OF 5)
CHRIS CLAREMONT (W) • SID KOTIAN (A)
Claremont: "I have an idea for an X-Men book."
Marvel: "Love it. Print it."
Claremont: "I... I haven't pitched it yet."
Marvel: "It's already our best-seller this month."
Mañana, como cada miércoles, tendremos Charla en la Charca.
https://t.co/AsXhkMEKIU
En esta ocasión nos visita:
@JosephBMacgreg1
Si superamos los 500 conectados del otro día os regalaremos un patito de goma a cada uno 😅😅
Es broma! No va a haber pato para nadie 🤣
Te esperamos!
The scene would later be altered and adapted by Peter David, who took over X-Factor, with some notable alterations and a less nostalgic tone. It is interesting, however, to consider the extent to which Claremont laid the new X-Factor’s foundations. The scene reads as follows: 2/6
𝙉𝙤 𝙚𝙧𝙚𝙨 𝙩𝙪, 𝙚𝙨 𝙚𝙡 𝙖𝙡𝙜𝙤𝙧𝙞𝙩𝙢𝙤
Primer disco de esta nueva sección en el que hablaremos y profundizaremos en esos álbumes que YouTube no se cansa de recomendarnos.
El pasado miércoles os contaba la historia detrás de 🪴Plantasia🪴
En #BOORED, controlaremos a Mori Vichento! Una mujer que tras una vida no muy legal que digamos, acabó viviendo en una mansión, teniendo su propio mayordomo y todos los lujos que quiera
Editorial intervened, however, and prevented that reckoning (and potential retconning) from taking place through a last-minute shuffle of the creative team, thus preserving Claremont’s long-developing character arc. 10/11
In a preview interview from Marvel Age 48, published one month prior to Issue XvA 1’s publication, Stern describes how he (like Havok) identifies with the previous X-Men and extensively discusses the problem with Magneto’s face turn in Claremont’s X-Men. 8/11
The variation is explained by Austin Gorton as follows: “Stern originally intended to use this series as a means to restore Magneto to villainy. However, the higher-ups at Marvel…stepped in (whether at the urging of Claremont or not is unclear) and nixed that idea” 7/11
Behold the end of the Mutant metaphor and Claremont's incredible legacy of x-characters being a metaphor for lonely, oppressed, persecuted, hated and marginalized people and HUMAN groups. The X-folk being just another variant of Deviants is just the last nail in the coffin.😣🤦🙄 https://t.co/9qooWD7NHo
HOY, HOY ES UN DÍA ESPECIAL
Voy a hacer un extensible de máximo 24 horas, empezaré a las 17:00 CET
(✿);;Jugaremos Lost Ark
(✿);;Dibujaremos chibis para los subscriptores
(✿);; también Jugaremos algo de terror
(✿);; Y charlaremos de lo que sea
Y Goose duck con todos!
#XSpoilers
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There was so much to love from New Mutants 24 but the highlight for me was FINALLY acknowledging Illyana is suffering from PTSD. Many writers, including Claremont, have written Illyana as struggling with evil instead of she's suffering from PTSD. Thank you Vita!
— He wonders what Santa Chiara would think of them, a lost David and Jonathan, turning slowly on the spot.
#ofszine | #redwhiteandroyalblue #rwrb #rwrbart #rwrbfanart #art #firstprince #alexclaremontdiaz #henryfoxmountchristenwindsor
(𝗰𝗿𝗲𝗮𝘁𝗶𝗼𝗻 𝗱𝗮𝘁𝗲: October 2021)
For Holm, Claremont’s experience (and subsequent portrayal) of ‘Britishness’ comes “second hand via popular culture,” such as we see in his use of the very British “school days genre” to build the “Girls School from Heck” story arc. 5/9
Vamos a anunciar una cosita que creo que puede ser muy chachi: una colaboracion con un Repoker de Artistazos para Commissions que podreis encontrar entre las cartas de @streamlootsES
…los nombres?? Durante la semana los desvelaremos…😏
@ai_curio I had to draw this guy o.O
I was thinking about the name "Glaremon" while I was drawing. Hope I can name him :o