風景画練習3日目!(3枚目
アドバイス…くださ…【#ピグパ ID:PU-0374-1297】(▶︎https://t.co/VWj4AV6bjE)から投稿

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Tower Falls and Sulphur Rock, Yel... (1874-1875 circa) from Thomas Moran on

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PC Glyphs

E939-3A74-1570-633E
0E72-74CC-D167-1473
AB8C-DDED-CA21-35C7
F091-4074-25C4-AEEC
B6AF-C945-8AFA-12C4

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I think my favourite thing about these weirdo is that they look like they've all been caught doing something...

From 'Die saugthiere in abbildungen nach der natur' by Schreber (1774-1846)

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Good news: I now have a folder on my computer called 'effed up animals' and it is filling up fast

This file is called 'muscular bat' (seriously, how did this get so buff?!)

From 'Die saugthiere in abbildungen nach der natur' by Schreber (1774-1846)

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Anne Anderson(1874-1930)、スコットランドの挿絵画家。Jessie Marion King の影響を受けているとか。

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最終日になんとか観れた🤩銀座gggにて[横尾忠則 幻花幻想幻画譚 1974-1975]横尾さんの原画は、ヤバ過ぎっす👍👍👍

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Colinton Station - in passenger operation as part of the Caledonian Railway Balerno line 1874-1943, goods service ended 1967 - engraving by William Wilson c.1933 https://t.co/GRDqE763Yn

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Little Girl with Bowl of Fruit (or Marjorie) woodcut by Mabel Royds (1874-1941)
https://t.co/wEWYZgYaoD

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Richard Müller.1874-1954. Drawing Class.

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Richard Müller.1874-1954. Untitled.

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Umetaro (1874-1943) was a japanese scientist. In 1910 he was researching the effects of bran in curing patients of when he discovered an active fraction, which he patented as "aberic acid".

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【展覧会情報】横尾忠則 幻花幻想幻画譚 1974-1975
1974~75年に東京新聞で連載された瀬戸内晴美(現・瀬戸内寂聴)の時代小説『幻花』の挿絵原画全371点を展示する。

9月5日~10月20日ギンザ・グラフィック・ギャラリー
https://t.co/imjYTwDmBp

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More fantastic cover art for our favorite Barbarian!
And even one for RED SONJA.

THE SAVAGE SWORD OF CONAN (1974-1995)
Earl Norem, Bob Larkin and Earl Norem (again, twice)

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🔸Day 6 — Ratto delle Sabine, Giambologna (1574-1580) // Ratto di Proserpina, Gian Lorenzo Bernini (1621-1622)

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Hans Christian Andersen’s fairy tale "Thumbelina" as Illustrated by Elsa Beskow (1874-1953).

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Adolfo de Carolis.1874-1928. Allegory of Picenum.(Detail).

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Adolfo de Carolis.1874-1928. Allegory of Picenum.(Picenum a region of Ancient Italy).

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カスパー・ダヴィッド・フリードリヒ(1774-1840)の、自然風景に哲学的意味を込めたロマン主義の絵画を見て、おんじが「日本人にとって自然は畏怖の対象で憧憬の対象じゃないから、この絵を本当に理解するには歴史背景を知る必要があるんだろうな…」とつぶやいていて、改めて彼我の違いに気付く。

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