In her final years her output lessened & her brushwork became more relaxed & expressive. Still Life (1916), Interior (1920) & View from my Balcony (1915)

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➡️Luc-Olivier Merson dans son atelier du 115, boulevard Saint Michel à Paris.
➡️Le soldat de Marathon, 1869. Peinture de l'arrivée de Phidippidès à Athènes.
Nicolas Luc-Olivier Merson 
(1846-1920), peintre français.

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William Faversham and Ruth Findlay in the Broadway production of Amélie Rives' adaptation of The Prince and the Pauper (1920)

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In honor of the good scores Royal got, I share my latest creation
(1080x1920)

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Anders Zorn (Swedish, 1860-1920), White Lilies.

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Kikujido Watching Butterflies, by Ogata Gekkō (1859-1920)

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誕生(1779、皇后)、#徳川家茂 婚儀(1862・太陽暦換算、#公武合体)、#赤禰武人 処刑(1866・太陽暦換算、志士)、#琉球処分(1879、#廃藩置県)、#尼港事件(1920)、#阪神甲子園球場 起工(1924)、#レンドリース法((1941)、つづく

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フランスの作曲家モーリス・ラヴェル(1875-1937)は3月7日が誕生日。その精緻な作曲技巧故に「管弦楽の魔術師」「スイスの時計職人」と呼ばれた。
傑作『ラ・ヴァルス』(1920)管弦楽版https://t.co/aTGpkmsf3p二台ピアノ版https://t.co/rVi7UsDyuz
ヴァイオリン・ソナタ(’22-27)https://t.co/y7dmdT4LJ5

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モジリアーニ(1884~1920)の描いた裸婦に、江戸の浮世絵師、国芳の描いた骸骨が迫る。
モジリアーニは浮世絵にかなりの影響を受けているので、このコラボには違和感がありません⁉️

 
  

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Concept drawings by Walter Riemann (1) and Hermann Warm (2 and 3) for THE CABINET OF DR. CALIGARI (1920).

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Born in 1860: Swedish painter and sculptor (1860-1920)

Portrait etchings of Maja von Heijne, 1911

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Born in 1860: Swedish painter and sculptor (1860-1920)

Portrait drawing of Master tailor Boberg, 1880

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Born in 1860: Swedish painter and sculptor (1860-1920)

Portrait of Lisen Lamm, 1885

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Born in 1860: Swedish painter and sculptor (1860-1920)

Portrait of a Spanish Lady, 1884

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Born in 1860: Swedish painter and sculptor (1860-1920)

Portrait of Frieda Schiff (1876-1958), Later Mrs. Felix M. Warburg, 1894

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Born in 1860: Swedish painter and sculptor (1860-1920)

Self-portrait with model, 1896

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2月17日 続き①

マドリードで支倉常長の洗礼式(1615)

歌劇「蝶々夫人」初演(1904)

東京帝大が聴講生の規定を制定し、女子の入学を許可(1920)

エジプト考古学者カーター、ツタンカーメンの墓を開ける(1923)

新聞に初の選挙広告、登場(1928)

続く

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at my house ...
The Cabinet of Dr. Caligari (Robert Wiene, 1920)

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Vodkin moved to France (1924-6). Petrograd (1920), Boys Bathing (1921), Apple Tree Branch (1922) & Beside Lenin’s Coffin (1924). Such was his reliability to the regime he was allowed travel. He should be considered, wittingly or unwittingly, an artist of the regime.

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