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The point is that Claremont is building narrative tension and character development out of a longing for parental reconciliation that may have universal symbolic resonance (who doesn’t crave their parents love and approval?) but with specific value to the queer metaphor. 6/6
While Claremont is sometimes ridiculed for his inefficient prose, the efficiency of his character work is genuinely remarkable, with one issue establishing, resolving, or advancing a litany of character arcs operating simultaneously. 6/6
Simonson’s run on Thor stands out for the same reason that Claremont’s run on UXM does: narrative propulsion. Both narratives were willing to break established status quo and tell cumulative stories driven by change (rather than eschewing it altogether). 6/6
Speaking with John B. Cooke for Comic Book Artist Issue #10, Simonson describes how the approach of Claremont (and others) inspired his own groundbreaking run on Thor and the decision to push the narrative in new directions: 2/6
@DuArtishere Esse aq é um projeto que to fazendo pra jogar com uns amigos. Inquerlion, vai se passar numa terra onde foi reconstruída após alienigenas aniquilarem quase todos os seres vivos, focando agr na vida de agentes que lutam contra as ameaças deixadas nesse mundo.
@emersonRpage think it should've had even MORE tension!!!! and that's not just opinion, it's fact, because the original comic it was harkening back to, chris claremont's uncanny #145, was super super flirty LOL
Porém, com essa thread, vim tentar mostrar que The Scum Villain's Self-Saving System é MUITO mais complexa do que imaginamos.
Antes de começar realmente a thread, deixo aqui a sinopse da web-novel que falaremos aqui:
His initial role in the first escape attempt also shows him forcing himself on a female guard with a non-consensual kiss, another key character attribute with some villain-shading, though that’s not always clear in the context of Claremont’s writing (it happens a lot). 5/7
One of Claremont’s goto strategies for character-building revolves around creating conflict out of character dualities in which their superpowers put them at odds with their personal goals and ambitions, ultimately distancing them from their own sense of humanity. #xmen 1/7
What? Doesn't everyone send their professor honeymoon photos like this?
(From Uncanny X-Men #178 by Claremont & Romita Jr.)
If this accounts for the narrator’s development, why Claremont applied the Iron Fist narration style to X-Men is a fun question to ask: was he trying it out in a new arena or did he simply slip in the division of his stylistic approaches while writing concurrent titles? 6/6
In “The Tao of Women in the X-Men World,” scholar Carol Cooper draws in psychosexual theory to help explore the infamous sexual subtext of Claremont’s writings, with particular emphasis on the concept of sublimation. #xmen 1/9
Esten al pendientes del Brotchacast de esta semana con @cukizilla @felorulo @Ranito21 y @Akasunano_Haru ya que regalaremos un Shiny Zamazenta para Pokémon Espada.
Hey!!! hola!!!
Hoy habrá un directo donde dibujaré oc que aun me faltan y oc de mis compas!!
Además de que hablaremos sobre "Yoloth y los mundos paralelos" espero puedas acompañarme!!
✨Link del canal!✨:
https://t.co/mJehxGxPoM
#directo #vtuber #myart #drawing
“I’m sorry you couldn’t pick up on all the hints that I was gay and trans before, mom, but like—you gotta understand…
Chris Claremont was writing my arc back then and he REALLY did try his best to make it clear but editorial would only let him do SO much!” 😁
In the Claremont/Miller Wolverine miniseries, Logan finds himself torn between Mariko and Yukio. As Yukio tries to seduce him, her face actually shifts to that of Mariko in Logan’s perception, and he subsequently refuses Yukio’s advances. 2/11
'Strands' with new works by Donal Teskey showing at the Claremorris Gallery, Co. Mayo until Christmas Open 1-6 Wed to Sat.
https://t.co/raSKznaKYX
📸 Donald Teskey, Annagh Head, 2021
@Donald_Teskey #donaldteskey #acryliconpaper #paintings @claremorris_gallery #Mayo
In a 2014 essay, Louise Simonson offers her unique perspective as Claremont’s long-time editor on the compressed storytelling that Claremont’s X-Men comics created in contrast to varying industry standards. #xmen 1/5
well this was 70's....and if you really want to see OVER THE TOP....Claremont come on. https://t.co/9nBrthPqZB