CHARACTERS PRESENTATION: FYBER

Fyber, the Haku's second son. In contrast to his brother Fury, he is an arrogant and scrappy guy. He is often in conflict with Flare. He is a good fighter too, as his brother, because he was directly trained by the Fire Master!

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‘Strands’ featuring sixteen new works by artist by Donald Teskey opens at the Claremorris Gallery, Mayo today Sat 20 Nov with an official opening from 4-6pm. The Gallery is open Wed-Sat 1 - 6pm during the week

https://t.co/714Edy749f

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Finally ended up updating shayugos ref.
I added the optional shayvee too in case people wanted to draw her as that and added something to show her true colors.
I did end up redrawing the hair and ears on the flaremins to match the newer looks but otherwise i got lazy.

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Callisto is one of the most obviously gender-queer characters in the entirety of Claremont’s run, to such a degree in fact that later authors (and even Wikipedia) failed to grasp Claremont’s complex treatment of the character’s relationship to gender in a notable story. 1/8

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How it started------------------How it's going

It's more than just nostalgia to say it was better in the day. Whether it was Barry Windsor-Smith, Claremont, Hama, etc. even during the milk it 'til it's dry days of the 90s boom there wasn't this idiocy. https://t.co/ynZKg6Ziho

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Latest on talks badness: "For me, one of the pivotal things that makes a comic 'bad,' and that makes Chris Claremont's work good, is self respect. Not of the author, but of the medium. You want a comic that wants to be good." -
https://t.co/60udOuhtLW

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I think it’s fairly obvious that the was an influence on I loved how and were able to tell stories about being social outsiders in a superhero setting. It’s a wonderful world to infuse some social commentary. I’m excited to see

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Title - Inishkea South Island 2021. One of 16 new paintings from my show at the Claremorris Gallery opening 20th November until 20th December. Delighted to have Amanda Bell open the exhibition and read some poems from Riptide, her latest collection.

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"Comment ça, à J-3, vous n'avez pas encore participer au Ulule Agonia?"
https://t.co/ScwrjYg96P

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Nonetheless, the fact that Claremont’s departure is followed by an instantaneous and pervasive absence of female voices in the series is obviously condemning. 8/9

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Absolutely this…started my passion for the cosmic side of

(Vol. 1, 1977)

W-#ChrisClaremont,A-#DaveCockrum,I-#DanGreen,C-#AndyYachus,L-#JoeRosen

https://t.co/Z0wt0HMFWw

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Divulgando minha arte é isto (nao tenho ideia doq tweetar vou deixar minhas artes falarem por mim vius)

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The drawings show figures of the people Princess Victoria encountered while staying in Ramsgate and then Claremont House, from November 1836 to January 1837, including sailors and a family of Travellers.

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"Quando eles escalarem o garoto para me substituir, seja no próximo ano ou cinco, irei assumir a responsabilidade de ensiná-lo sobre as responsabilidades de ser o Homem-Aranha. É absolutamente enorme. Cada vez que você anda fora dessa porta, você está representando o herói." 🕸️💬

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“Autumn on the Coast”, 85X85cm, oil on polycotton.

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Tire uma foto do seu olho e deixe as pessoas falarem o sentimento que passa https://t.co/JEeJJb4mXx

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Mañana estrenamos un nuevo programa y formato.
Hablaremos con la auténtica reina de la geometría, del retrato y del minimalismo. Le gusta Star Trek, la música bien alta y creemos que tiene que dibujar bien.

Chequead qué tremenda jefa es la tía

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The more I study clouds the more like landscapes they become.

Columns and canyons, levels and layers, drifts and waterfalls… they are all there when you look closely.

“Western Light”, 85X85cm, oil on polycotton.

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The villains had gotten a bit generic in the waning arcs of Claremont’s run, coinciding with a change in editorial direction and artist-input. Where C had injected nuance to UXM villains from very early-on, the last few stories featured wall-to-wall evil megalomaniacs. 4/8

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