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Flatford Mill from a Lock on the Stour, 1811 #johnconstable #englishart
John Constable, Hampstead Heath, with the House Called ‘The Salt Box’, 1819 https://t.co/jMhcBrXzHf #tatemuseum #museumarchive
John Constable, Weymouth Bay, Dorsetshire, 1830 https://t.co/Gm1aC0osD2 #johnconstable #tatemuseum
The Admiral's House (The Grove), 1823 #johnconstable #constable
John Constable, A Seabeach, 1830 https://t.co/mVUphiY03j #museumarchive #johnconstable
An #oilstudy of #constable #weymouthbay as part of studiotalk at the #norfolkpaintingschool #art #oilpainting #skies #seascape
After Constable’s stormy sea at Brighton. Pastel on paper, 8/20. I discovered Constable’s plein air paint sketches last summer -love the drama in them more than his finished work. Shortly after, unrelated, decided to buy the flat in Hove. Hope to make some sea paintings one day
John Constable, Hadleigh Castle, near the Nore, 1830-1855 https://t.co/MvXsnVTLjY #artsmia #printsanddrawings
John Constable, Seascape Study with Rain Cloud, 1827. Oil on paper
Netley Abbey by Moonlight, 1833 https://t.co/s6vlCRnMTD #tatemuseum #johnconstable
'Poem, Strange November.' (1953) Alan Reynolds's romantic landscapes of the 1950s perhaps owe more to Samuel Palmer's Kent than to the flat Constable country of his native Suffolk. The spiky botany of the foregrounds carried a faintly menacing air generic to much 1950s art.