Weird 1920s-30's visuals, Ren and Stimpy/UPA spacey 50's, anything from TMS in the 90's, and while there aren't many new shows that have a style I like McCracken and Tartakovsky STILL got it.

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More Ahsoka goodness as I tried a little what-if experiment if Ahsoka Tano had made her first appearance in the Genndy Tartakovsky Clone Wars series from 2003.

I figured she'd look a little bit like Ashi/Ilana and be voiced by Tara Strong.
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https://t.co/rcBc6FRepA

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fourdinand styles i guess. guess who my favorite character is :)

(i also have the genndy tartakovsky rip off style but eh twitter only allows 4 pics)

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Watching SymBionic Titan reminded me how much I love Genndy Tartakovsky's art style

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“Spear and Fang” inspired by Genndy Tartakovsky’s on painted in guache in illustration board 14”x22”

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Location designs by Yuchung Peter Chan for Hotel Transylvania (2012), dir. Genndy Tartakovsky, Sony Pictures Animation

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Might contain spoiler for those who havn't seen Primal yet.
An other of my sequences for Primal episode 1 animated at
Animation supervision was handled by Julien Chheng
Design correction by Genndy Tartakovsky
Several people worked on the assisting of shadows/stri

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Here's another headshot commission from Tokyo Comic Con. Tartakovsky Grievous is best Grievous, IMHO.

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Paused episode 5 of Genndy Tartakovsky’s Primal to draw one of the many angry apes and try out some new Procreate brushes I picked up from

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GO TO WATCH PRIMAL on the serie directed by Genndy Tartakovsky and made by the

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Would love to see Gennady Tartakovsky's on the big screen with all the episodes put together!

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Visual development by Noëlle Triaureau for Hotel Transylvania (2012), dir. Genndy Tartakovsky, Sony Pictures Animation

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You can't pass up Genndy Tartakovsky's Clone Wars. There is none greater.

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PRIMAL (2019): Una sinfonía de violencia y vísceras en la prehistoria es la excusa para recordar que Genndy Tartakovsky es uno de los pilares de la animación tradicional. Brutal, pero por momentos, extrañamente zen, en un mundo donde la única moneda es la carne.

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Background paintings by Jenny Gase-Baker for the original run of Samurai Jack (2001–2004), created by Genndy Tartakovsky

These paintings were done with Cel-Vinyl paint on traditional media -- Tartakovsky tried to avoid computer-based artwork on Samurai Jack

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And here's General Grievous form Star Wars: Clone Wars 2003 by Genndy Tartakovsky

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