1630年11月9日(寛永7年10月5日)・命日 
◆藤堂 高虎(とうどう・たかとら)≪満74歳没≫◆
[1556年2月16日〜]
浅井長政,羽柴秀長,豊臣秀吉につかえる。秀吉没後は徳川家康にちかづき,関ケ原の戦いでは東軍に属し戦功をあげた。伊予今治藩主から慶長13年伊勢津藩主藤堂家初代となる。32万3950石。

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Amongst artists The Magdalene inspired fascination as an image of an outsider. Here’s Reni’s images of the former prostitute seeking spiritual enlightenment from the 1630s. They reflect an artist apparently struggling with the church’s teachings on sexuality

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Sale Alert 🔥 • Kristen B. Clark bought for 0.01 ETH by KDotsLeftStrokeHW from TheBritishBadBear https://t.co/avJc2YSTG4

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Io sono di Maria.
Essere di Maria vuol dire essere di Cristo.
Essere di Cristo vuol dire essere di Dio.
Non del mondo ma di Dio.
Non del tempo ma dell'eternità.
Io sono di Maria!

🎨Abdon Castaneda, Incoronazione di Maria, 1630

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グイド・レーニ『エウロペの略奪』1630年頃 ロンドン・ナショナル・ギャラリー

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The Poet's Inspiration (1630)
by Nicolas Poussin
Style: Classicism

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Ribera integrated the work of Caravaggio, as well as Guido Reni & Guercino within the native Spanish tradition. His canvases were collected in Spain & influenced artists there. Archimedes (1630), Euclid (c1630-5) & Prometheus (c1630). The latter is a tour de force.

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Rembrandt always showed a great deal of empathy & respect towards the elderly. With astonishing ability he creates psychologically profound stories in his pictures. St Paul (1629-30), Anna & the Blind Tobit (c1630), Jeremiah (1630) & A Man taking a Leak (1631)

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1630 - Music Club >> Epilogue 🎸🎵🎶(1/5)

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Rembrandt always showed a great deal of empathy & respect towards the elderly. With astonishing ability he creates psychologically profound stories in his pictures. St Paul (1629-30), Anna & the Blind Tobit (c1630), Jeremiah (1630) & A Man taking a Leak (1631)

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Born in 1601: (1601-43), King of France

Portrait by (1590-1649), 1630s

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Michael Leopold Willmann (27 September 1630 – 26 August 1706) was a German painter

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1630年9月27日 ミヒャエル・ヴィルマンがプロシア・ケーニヒスベルクで生誕。
《ハープを弾くオルフェウス》(ca.1670)ヴロツワフ国立美術館

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Little-known 17th-century artist Orsola Maddalena Caccia was a nun and abbess who ran an artistic workshop at her convent in Piedmont. Her own art has now become more generally recognised ~ here’s her Fruit and Flowers (1630), Metropolitan Museum of Art, New York

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