It’s week for

There’s always time for a cup of tea and a natter and this quirky illustration reminded us of what us folk do best 🫖

'You don't say so!', Illustration, Martin Anderson, 1837-1901

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🌸 The floral cabinet and magazine of exotic botany
London: William Smith, 1837-1840.
https://t.co/tlJqmq7DSh

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(1837-1902), "#Tyrolean landscape" (1879), oil on panel, 22.5x35 cm... Delightful... and waiting in

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THE APPARITION OF CHRIST TO THE PEOPLE // Alexander Andreyevich Ivanov, 1837-1857
from The State Tretyakov Gallery // Moscow, Russia

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Thomas Moran (American, 1837-1926)

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"The whole gorge for miles lay beneath us, and it was by far the most awfully grand and impressive scene that I have ever yet seen."

Thomas Moran (1837-1926)

Nothing inspired Moran 🖌 like Arizona's natural wonder, The Grand Canyon

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Laslett John Pott (1837-1898)
Fire at the theatre

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Springtime, 1873, and The Storm, 1880, by Pierre Auguste Cot (1837-1883)

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November 16: one was born...

Francis Danby was an born in 1793. He was a part of the movement & was known for his dramatic

Photo credit: , "The Deluge" by 1837-39.

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Constantinos Volanakis (Greek, 1837-1907), Burning of a Turkish Flagship, oil on canvas

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Springtime, 1873, and The Storm, 1880, by Pierre Auguste Cot (1837-1883)

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The Wilds of Lake Superior (1864), by Thomas Moran (1837-1926)

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Originally this:
George Frederick Bensell (American, 1837-1879), King Lear, oil on canvas,  50” x 40”
https://t.co/wPd83kaDIR

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🐚 Conchyliologie minéralogique de la Grande Bretagne
Soleure: Jent & Gassmann,[1837-]1845.
https://t.co/XPxQr3LpvF

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Thomas Moran (1837-1926). Hot Springs of the Yellowstone, 1872.

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🐦 Illustrations of British birds
London: Longman & Co.,[1837-1844]
https://t.co/ZTg51S0KsQ

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☘ The floral cabinet and magazine of exotic botany
London: William Smith, 1837-1840.
https://t.co/66GIVxxT58

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Señora en un embarcadero con vistas al mar, sin fecha.
Victor Fontaine (1837-1884) pintor belga.

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"Death and the Woodcutter" was a recurring theme in the art of Alphonse Legros (1837-1911). Although it seems mythical now, at the time the art drew attention to the plight of the 'proletarians of the forest' in France - with rural depopulation and the destruction of forests.

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