fck drapery

but ngl i can imagine him in yelan's pose https://t.co/MUtZv0AG0B

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“Idaho based artist, Heather Martindale, blends her love for old master paintings of drapery and mystery, with a contemporary exploration of emotions through figurative fabric imagery.”⁣
https://t.co/mqzxTPsojH

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Goddess Handong wip, I just adore painting flowy hair and drapery ☺️

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Cross from ’s AU! pls pretend i’m good at designing outfits ajsjjdfif i just really liked the idea that his straps are elegantly designed like drapery to represent his "gods" 🥰

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John Singer Sargent, Seated Male Nude with Drapery; verso: Male Nude with Hand to Forehead, c. 1890 - 1915 https://t.co/kxJQLIJYGE

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practice some drapery with her shirt while you're at it ( is she wearing anything underneath ? idk, up to you :p)

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I'm making this master study of a painting by Jean-Auguste Dominique Ingres, and damn. This drapery thing is crazy, wish me luck 😂

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Here is an original by me of poppies with pitcher and drapery. Light versus shadow makes for a more dramatic painting. https://t.co/jcH2iyWMvQ

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Drapery and textile play a significant role in Sarah Detweiler’s mixed media paintings: The subjects are often veiled; they could be anybody. Sarah’s storytelling relies on colours, different textiles and motifs she integrates within the composition.

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practiced some drapery? i think thats what it's called, any crit or anything yall have?

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John Singer Sargent, Kneeling Male Nude with Drapery, c. 1890 - 1915 https://t.co/LHMHW47JpQ

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(banescale matador, wildclaw wight rose, skydancer lit moon, skydancer rosy drapery)

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I don't know why, but the strange Mannerist prints of Jacques Bellange (1575-1616) have always intrigued me. The pudgy balloon bodies with the attenuated limbs (fingers esp), the naked yet clothed w lots of drapery, and the shimmering light makes for a strange world.

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I tried to see if I could figure out drapery by sheer force of will VS, y'know, actually looking at any kind of reference

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The still life with the capitel is bright and saturated, "screaming" about the fullness of life. Despite the fact that the objects stand in place, a sense of dynamics is created, emphasized by rhombuses falling on the drapery

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Pierre Auguste Cot— I mean again, beautiful forms and gorgeous drapery. The glowy, dreamy lighting is to die for as well. Handled green like nobody’s business also

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