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@JefSchaeps Indeed, it is a 'Head of a Man with a Beard' by Hendrick Goltzius, black and red chalk, 310 x 255 mm.
Allegory on the Art of Drawing with the Emblem of the Artist, Hendrick Goltzius, 1612 https://t.co/csTQ1ufWBb #hendrickgoltzius #harvardartmuseums
Portrait of a Man, Hendrick Goltzius, 1591 https://t.co/JMtZWGk793 #hendrickgoltzius #harvardartmuseums
Last Supper, lost original by Pieter Coecke van Aelst, copied multiple times and engraved by Goltzius
This was one of several engravings of whales made after Goltzius's designs. A washed up whale was an interesting opportunity to study the creature, but could also be interpreted as an ill omen, as often emphasized in the accompanying text on such illustrated broadsides.
Hercules verslaat Cacus, 1588, Hendrick Goltzius
In ‘Dankzij Waller 2010-2020’, @Rijksmuseum #Amsterdam
#art #kunst #tentoonstelling #museum
@JesseMLocker @auctionaugur Well, Hercule is suppose to have muscle but here, he looks like Michelin Man (Goltzius again)
.@arkreader #art Hendrick Goltzius - Bacchus 1595 - Adoration of the shepherds 1615
.@wonderful_g #art #arte #OTD Hendrick Goltzius - Erato from The Nine Muses 1592 -
.@jukkaisorinne #art #arte #OTD Hendrick Goltzius - Bacchus engraving
#Falling on #Friday. Hendrick Goltzius, The Four Disgracers, c.1588, coll. @metmuseum
Without Ceres and Bacchus, Venus would freeze. But - is this a painting? A drawing? An engraving? Brilliantly crossing media boundaries, it's Hendrick Goltzius in 1603. Today is his day.
Los grabados de Hendrick Goltzius, pintor holandés.
- #HistoryofArt #art #twitart #arte #painting #artwork--
Winter from the Four Seasons
by Jan Saenredam
after Hendrick Goltzius 1601 @NatGalleriesSco
If in Vevey, do not miss ‘Rien que pour vos yeux II: Les plus belles estampes des collections’, on view at the Musée Jenisch until 13 January 2019. On show prints by Dürer, Rembrandt and other masters. Below, Goltzius’s ‘Adam and Eve’, of 1585.
The Dragon Devouring the Fellows of Cadmus, Hendrick Goltzius (1588)
‘Rien que pour vos yeux II: Les plus belles estampes des collections’ on view at the Musée Jenisch, Vevey until 5 January 2019. The show presents prints by old masters illustrating different techniques. Below, Hendrick Goltzius ‘Adam and Eve’, of 1585.
@Rebeka80721106 @BaroneZaza70 @Navymat @BrownieJohnston @marialves53 @piero_agnello @Messe11 @claudioborlotto @licprospero @smc_su @inmodelpino @Make_u2_happy @Leonard71089862 @tinockha1 @strode_m @edith_conn @barrywyman2356 @nicegook @ArteSalvatoreVa @Dominiquepucini @paoloigna1 @Softailmc @GulzaarRana @anthony77631293 @LOYALFAN1 @Natanaelmiangel @Biagio960 @BrindusaB1 @rightwingleo2 @Ghiovanela @elsufuen @marmelyr @ArgentArts @MatyldaStein @peac4love @SimpleGain @J_Impressionism @MuseeLouvre @albertopetro2 @PasqualeTotaro @lagatta4739 @artmajcar @redne2013 @VicoLudovico @circeanna @emanuelaneri14 @GaiaGaudenzi @TizianaRomano7 @GuernseyJuliet @agustin_gut Hendrick Goltzius (February 1558 – 1 January 1617) was a Dutch painter and engraver.Cadmus fighting the Dragon Statens Museum for Kunst
A dragon devouring the companions of Cadmus, Hendrick Goltzius, after Cornelis Cornelisz. van Haarlem, 1588 https://t.co/iMGOV76pNz