Indeed, it is a 'Head of a Man with a Beard' by Hendrick Goltzius, black and red chalk, 310 x 255 mm.

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Allegory on the Art of Drawing with the Emblem of the Artist, Hendrick Goltzius, 1612 https://t.co/csTQ1ufWBb

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Last Supper, lost original by Pieter Coecke van Aelst, copied multiple times and engraved by Goltzius

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This was one of several engravings of whales made after Goltzius's designs. A washed up whale was an interesting opportunity to study the creature, but could also be interpreted as an ill omen, as often emphasized in the accompanying text on such illustrated broadsides.

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Hercules verslaat Cacus, 1588, Hendrick Goltzius
In ‘Dankzij Waller 2010-2020’,

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Well, Hercule is suppose to have muscle but here, he looks like Michelin Man (Goltzius again)

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. Hendrick Goltzius - Bacchus 1595 - Adoration of the shepherds 1615

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. Hendrick Goltzius - Erato from The Nine Muses 1592 -

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on Hendrick Goltzius, The Four Disgracers, c.1588, coll.

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Without Ceres and Bacchus, Venus would freeze. But - is this a painting? A drawing? An engraving? Brilliantly crossing media boundaries, it's Hendrick Goltzius in 1603. Today is his day.

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Winter from the Four Seasons
by Jan Saenredam
after Hendrick Goltzius 1601

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If in Vevey, do not miss ‘Rien que pour vos yeux II: Les plus belles estampes des collections’, on view at the Musée Jenisch until 13 January 2019. On show prints by Dürer, Rembrandt and other masters. Below, Goltzius’s ‘Adam and Eve’, of 1585.

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The Dragon Devouring the Fellows of Cadmus, Hendrick Goltzius (1588)

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‘Rien que pour vos yeux II: Les plus belles estampes des collections’ on view at the Musée Jenisch, Vevey until 5 January 2019. The show presents prints by old masters illustrating different techniques. Below, Hendrick Goltzius ‘Adam and Eve’, of 1585.

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'The Farnese Hercules' engraved by Hendrick Goltzius vs Esidisi.

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A dragon devouring the companions of Cadmus, Hendrick Goltzius, after Cornelis Cornelisz. van Haarlem, 1588 https://t.co/iMGOV76pNz

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