画質 高画質


Here is my submission, thank you Ina-sensei for the opportunity 🙇‍♀️

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Hi Ina-sensei!
Usually I don't draw backgrounds, and I feel I haven't done a good job on blending the character into the scene. Everything looks quite muddy.
I'd appreciate any advice on how to make the composition look more lively!
Thank you for the opportunity!

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Hi, Ina sensei!
I've been trying out difference rendering style and found out that I suc at drawing faces consistently, I just cant seems to land on a style of my own. And my weakness will and always be... composition(also element placing)
Please help me sensei😭

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Hi Ina! I'm looking for feedback on composition and backgrounds. I feel like the BG is too much and Calli is too small?

I'm not really too sure, I've never had someone analyze my art before so if you have any other general advice/corrections, I would love that too!

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Hi Ina-sensei🐙 I feel like some of the poses I choose end up looking a bit stiff and awkward. Could you give me some advice on how I might improve?Thank you!

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Hi Ina sensei!
this is my recent piece of cece and here are things I'd like to improve:
1. face: I struggled to make the face look cute but it still seems a bit off and I'm not sure how to fix it
2. how to make the character's posture look more energetic/lively?

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hii ina
i overall like how this art turned out, but i still struggle with how deeply to render
here, if i stare too long, her clothes can begin to feel a little muddy like too much is going on, but if i dial it back it feels like i'm not doing enough with it ;-;

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Hi Ina-sensei 🐙🎨

Thanks for bringing back Inacademy! This is my submission. I'd like to get better at square-size portrait illustrations! I always struggle with composition and character silhouettes, also i feel that the faces that I draw are not cute enough for this type of

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Oh hi Ina-sensei! Please send help!
1. I've always liked sensei's arts, especially those with more complex scenes. They are always harmonious. But in my own arts, they never seem cohesive (like Fig.1). So if there are any skills or key points?#InacademyFB
More questions below🥺

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✋Ina-sen-sei-! Here's a piece of gooba I poured my heart into it! I tried to imagine what will be the last image of her when she's leaving, want to express the feeling of nostalgic, loneliness but also happiness for her future.. Any suggestions on how achieve such

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✋Ina-sen-sei-! Here's a piece of gooba I poured my heart into it! I tried to imagine what will be the last image of her when she's leaving, want to express the feeling of nostalgic, loneliness but also happiness for her future.. Any suggestions on how achieve such atmosphere,

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Hi Ina! I made this piece and it has been my favorite, coz I stepped out of my comfort zone a lot for this one! However, I cant help but feel like the expression is too blank or maybe I placed my focus on details for the unnecessary parts.

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Halo Ina! I made this with a picture in mind but it didn't turn into what I fully imagined

I struggled with the angle (making the food closer to the cam) & I feel like the face could be more expressive. Any feedback to improve this piece would be highly appreciated!

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hi ina-sensei, i struggle with coloring my works. i think i tend to focus too much on one main color such that everything ends up hued towards it.

how would wahn;
-know where to have vivid/muted colors
-pick what colors to use for shadows
-paint flowers prettily

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Ina sensei!! i really liked this piece but theres a few things that bugs me, expecially i struggle with shadow/light and often my brush technique(?) is too blendy and results in brushstrokes on clothes that looks random. . . any feedback or exercise i should work on would help me

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Need your tako wisdom Ina-sensei!!

Im challenging myself with perspective on this piece but I struggled in making the body proportions accurate and made her look taller than her actual height. Any tips and feedback to make it look better is much appreciated! 💜

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Hi Ina sensei! This is a piece I draw for Polka for her debute anniversary a month ago.

I always found the shoulder on this kind of angle challenging, specifically, I saw people doing the armpit line extremelly smoothly but for me it either dislocates the shoulder

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Hi Ina sensei! This is a piece I draw for Polka for her debute anniversary a month ago.

I always found the shoulder on this kind of angle challenging, specifically, I saw people doing the armpit line extremelly smoothly but for me it either dislocates the shoulder or the breast,

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