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John Everett Millais, The Rich Man and Lazarus, 1864 #museumarchive #johneverettmillais https://t.co/PkzmesnPJH
John Everett Millais, The Lost Sheep, 1864 #tatemuseum #museumarchive https://t.co/h5uZEF4hJ8
Sir John Everett Pippa #millais #realism https://t.co/Cy6F7nYsR6
John Everett Millais, The Unjust Judge and the Importunate Widow, 1864 #museumarchive #johneverettmillais https://t.co/prOW1wLvPt
Jephthah, 1867 #romanticism #millais https://t.co/b092CcudpS
John Everett Millais, The Hidden Treasure, 1864 #tatemuseum #johneverettmillais https://t.co/RtGuOyqllp
John Everett Millais, The Prodigal Son, 1864 #johneverettmillais #tatemuseum https://t.co/a7H47JanAt
John Everett Millais, The Good Samaritan, 19th century #johneverettmillais https://t.co/q5lAjalpmg
John Everett Millais, The Good Samaritan, 1864 #johneverettmillais #museumarchive https://t.co/KJAdFmo2wJ
John Everett Millais, The Good Samaritan, engraved by the Dalziel Brothers, 1863 #tatemuseum #museumarchive https://t.co/qTLgE45E9Q
John Everett Millais, The Tares, 1864 #tatemuseum #museumarchive https://t.co/bBYeucZYeP
John Everett Millais, The Wicked Husbandman, 1864 #museumarchive #tatemuseum https://t.co/Goi87fqy1Q
Impressive Tresses to keep you warm this winter: luscious locks for this week's #ThursdayTheme- Courbet's 'La Belle Irlandaise' (1865 Stockholm vers.), Rossetti's 'Lady Lilith' (1866-73 @delartmuseum), Millais' 'The Bridesmaid' (1851 Fitzwill Mus) & Sandys' 'Love's Shadow' (1867)
John Everett Millais, The Good Samaritan, 19th century #johneverettmillais https://t.co/q5lAjalpmg
Jephthah, 1867 #romanticism #millais https://t.co/b092CcudpS
@hayertalbema3ak @agustin_gut @Rebeka80721106 @scastaldi9 @CristianeGLima @neblaruz @ampomata @alleosa @famartinez2001 @1Atsuhimerose2 @adiprincipe @dianadep1 @_die_Uta_ @PrestiDaniela @MariangelaSant8 @CaterinaCategio @NadiaZanelli1 @xaloc7 Grazie, Ali, buona serata anche a te, 🍂💦🫧
John Everett Millais
~Portia (Porzia)
1886
Arte e Storia: Porzia, nobildonna romana, (70 a.C. – 42 a.C.) fu
figlia di Catone l'Uticense e moglie di Bruto,
~Metropolitan Museum New York
John Everett Millais, The Hidden Treasure, 1864 #museumarchive #tatemuseum https://t.co/RtGuOyqllp
This scene from Shakespeare’s play Hamlet, painted by Everett Millais, depicts the moment Ophelia is about to drown, surrounded by countless flowers, symbolizing all aspects of her experience from life, love to death.
- Located in @Tate
John Everett Millais, The Unjust Judge and the Importunate Widow, 1864 #museumarchive #johneverettmillais https://t.co/prOW1wLvPt