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Jupiter and Anthiope (Pardo Venus), 1542 #titian #tizianovecelli https://t.co/1hjMeMph3C
His images of Napoleon (1801-5) were the ultimate propaganda of the diminutive General on his march to being Emperor of France & conqueror of Europe. Placing Boney on a horse shows his knowledge of Van Dyck & Titian’s royal portraits of short rulers
George & the Dragon (c1866), The Lament (1866) & Cupid delivering Psyche (1867). Here we see the influence of Titian in the roll of the draperies
These rulers not only loved their pound of flesh but also wanted it by the yard. And they wanted it in the form of a Titian nude (safely described as the mythological Venus, if possible) - works from the 1550s. Often they were hidden by curtains, only to be revealed to other men
Titian worked with the enigmatic Giorgione in his early years & their works are hard to separate (especially as Titian painted in his master’s style at first). Le Concert Champetre (c1509) may be by both, but Christ & Adulteress (c1509) & Virgin & Child (c1510) are probably his
Titian comics Gun Honey: Blood for Blood #2
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Titian-Tiziano Vecelli (1488 – 27 August 1576 ) was an Italian painter.Titian sisyphus
Painting at Bedtime.
The Tempest.
Giorgione.
Little is known about the artist, although he may have had Titian as a pupil. 6 of his paintings are known. Art historians have argued for centuries about the meaning of this work. Adam and Eve? The Goddess Demeter? Self-Portrait?
Titian (Tiziano Vecellio), Christ Shown to the People (Ecce Homo), c.1570–76 #artmuseum #europeanart https://t.co/8HF89MeA3b
"Dilexi institian obibi iniquita popterea morio ein exilio"
No pescoço
[It's complicated]: In response to DarkTitian about Niall wanting to visit.
George & the Dragon (c1866), The Lament (1866) & Cupid delivering Psyche (1867). Here we see the influence of Titian in the roll of the draperies
@migliaccio31 @DavLucia @albertopetro2 @scastaldi9 @dianadep1 @1Atsuhimerose2 @angelicadisogno @marmelyr @neblaruz @ampomata @BrindusaB1 @Spiros209 @peac4love @djolavarrieta @vvgcabras @artmajcar @cristob45 @edjlazar @CristianeGLima @kamabi @alleosa @bgv_online @ritamay1 @maluisa_3 @ceconomou56 @Rebeka80721106 @famartinez2001 @karmendida @JohnLee90252472 @MariangelaSant8 @mariatontini1 @DublencoIgor @AlessandraCicc6 @AnnaCountessK @mariagonzalezf5 @smarucci461 @BryanMatthews23 @agustin_gut @AnnaMar90949897 @RitangelaPrivi1 @cecchi_giovanna @PaolaToogoodxme @Sensibilia8 @Messe11 @fra852 @paoloigna1 @ANNAMAMARIABIA1 @AntonellaLaTor6 @marcovolpicell @revove22454 Titian-Tiziano Vecelli (1488 – 27 August 1576 ) was a Italian painter-Tiziano Vacellio the January by Titian's Salome with the Head of John the Baptist_468x572
Fête Champêtre* (possibly with or by Titian, 1508-9). Both Titian & Giorgione were associated. Some claimed he was Titian’s master, others that they were fellow students. However Titian’s early work is derived in part from Giorgione. Their closeness is best shown in this work
Titian, The Submersion of Pharaoh's Army in the Red Sea, 1514-15
(printed 1549) #clevelandartmuseum #cmaprints https://t.co/8qhDWG84F3
Titian, The Submersion of Pharaoh's Army in the Red Sea, 1514-15
(printed 1549) #clevelandartmuseum #cmaopenaccess https://t.co/gsWYqOJn9s
SHES DONE I really like how she came out too #titiana #ancientmagusbride #magusbride
Rape of Europe, 1562 #tizianovecelli #titian https://t.co/I3xvSTpQp9