The biomorphic and gestural lyricism of Carmen Herrera’s early works can be seen in the ‘Habana Series’ (1950-51), painted during a holiday visit to Herrera’s native Cuba. ‘Carmen Herrera in Paris: 1949 – 1953’, at Dickinson NY, features three works from the series. Come visit!

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This article is titled "Happy Accidents: Glitches, the Mathematics of Protozoa, and Computational Delight." It features my biomorph creatures, which inhabit abstract geometrical space. https://t.co/xvmz81B4dM

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New high resolution generative work on :

= Emerald City Amoeba =

This timeless Pickover biomorph fractal channels the Emerald City of Oz, with winding peripheries vanishing into inner infinitesimality.

https://t.co/D6A83sjnZx

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I tried to capture something of the biomorphic quality of his architecture in the design of the tower, juxtaposing it with the symmetry and geometry of stained glass. Don't ask me where these ideas come from!

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study of habitation shell in synthetic and aluminium...1971 © VIOE (Flemish Heritage Institute)
Renaat Braem 1910-2001

https://t.co/MjL8eJoLRP

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New month, new course!
If you are spending your August at home and would like to try something new, our Rumi Design Course by is starting on the 12th of August. Every Wednesdays, 6-8pm for 4 weeks 

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This project was his last in Detroit before moving to California, and a precursor to his even larger scale speculative projects such as the Biomorphic Biosphere (1971) for Los Angeles

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Tyrannicus Adorabilis
A biomorph bred for use for genestealer cults. It is used to infiltrate affluent households by providing eyes and ears for the hive mind by acting as exotic pets. They produce sweet calming smells and make endearing trills and purrs.

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