Careful she's claustrophobic

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How’s it that LlamTech Living Latex™️ goop feeling, Ash? Hope you’re not claustrophobic. It’s gonna be a long while before Miss O’Mara gets you out of that one. (Inspired by ProtoyBonnie on DA and latex doll work)

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And this is the early sketch of the same part of the background. One of the ideas was to make the clouds in those deep, dark colours, but that made the background feel very tight and... almost claustrophobic.

Also heavy dithering doesn't work for me at all.

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If you're looking for a claustrophobic, creature-feature throwback, then check out Splinter (2008). Currently streaming on Prime. 2 1/2 Beards.

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https://t.co/UoW1p2IFmD

Helltrip / Doom II / 2011 / by Jason Root aka "Hellbent"

This starts with a cool bit where you sort of struggle to pick yourself up off the ground. The rest is a Hellish and obtuse labyrinth with claustrophobic combat that transforms as you play on.

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"A claustrophobic yet dizzying character study that takes slash fiction as its starting point in a story where the borders between reality and fan-fiction gradually blur." on 's story for https://t.co/q9ZRdi45vL

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https://t.co/3Gk9zgeYhb

Flay the Obscene / Doom II / 1999 / by Christian Hansen

The kickoff to Chris's FtO series has a DoomCute starter level where you step into the portal before the big dance. The rest is claustrophobic brick, metal, and marble with a classic, punchy feel.

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Be more Alice! The with lessons for Anxiety, boredom, claustrophobic relationships... characters from Jane Eyre to Mrs Dalloway can provide vital insights into how to live in these anxious times, writes Josh Cohen https://t.co/cMZGAATQ9y

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This is 's character Graeqirr whose most recent quest led him into a cave....unfortunately he is quite claustrophobic. ^.^"

I've never tried to go for this sort of vibe before so this was a very refreshing artistic excursion. I've learned quite a bit from this. :)

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https://t.co/7oOiNM6ghp

Flay the Obscene - The Third / Doom II / 2001 / by Christian Hansen

Chris's detailing and architecture look great alongside claustrophobic fights and immortal monster turrets. Of note: an obvious trap that kills players who are jumping via source ports.

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Ragnar is a surprisingly kind goliath barbarian who went through a lot during his childhood leaving him severely claustrophobic.

Alissa Déth-Metahl is my funny, chaotic halfling bard. She made some ill-considered choices in her past. She fears ending up all alone because of them

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Latest in the series, this one feels a little oppressive and claustrophobic with the purple on top, not sure if I like it or not. https://t.co/lhxITlSz1p

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Patlabor 2 (Mamoru Oshii, 1993) sculpts the franchise into a pensive, nuanced political thriller. A precursor to Ghost In The Shell in tone and texture, the film simmers with conspiratorial suspense. Its climactic Labor battle is a claustrophobic tactical affair

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me trying not to commit suicide in a trader joe’s bc i get claustrophobic in there

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For me early Victorian is best epitomised by scenes of narrow lanes between unsteady old buildings that seem to lean claustrophobically towards one another such as shown in this glimpse down Cloth Fair towards Smithfield, drawn by J Findlay (1852)

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Insomniac artist Léon Spilliaert wandered Ostend at night, finding in its empty streets and endless beaches the exterior equivalent of his inner isolation.
At school, he studied Nietzsche and Schopenhauer and began to read the claustrophobic stories of Edgar Allan Poe.

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This is my baby Prism! He's a Light dragon, able to absorb light and use it as a breath element! He's really weak in the darkness and is claustrophobic, and generally very positive! He's also loud and all bark, no bite :>

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I always feel a bit claustrophobic by the end of the year, as if time itself is contracting into an egg, and the egg will then hatch into the new year to come.

Shared some color studies on Patreon!
https://t.co/nqR94KtK08

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Xmas 2020. Trying to watch telly while claustrophobic parents vie for attention.

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I wanted both of my GIANT-SIZE X-MEN issues to start with a graphic X layout. JEAN + EMMA’s is circular and flowery — meant to portray Krakoa as a mutant paradise. STORM’s is angular and stiff, with circuitry behind — trying to get across a claustrophobic and robotic feeling. ❌

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