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Your Daily Altar of Eros
School of Marcantonio Raimondi, 16th Century
@ritamay1 @AlessandraCicc6 @albertopetro2 @neblaruz @marialves53 @agustin_gut @scastaldi9 @CristianeGLima @Rebeka80721106 @alleosa @lissablu68 @ValerioLivia @CaterinaCategio @bmarczewska @angela3nipoti1 @monica74761144 @NadiaZanelli1 @1Atsuhimerose2 @famartinez2001 @dianadep1 @maype7 @BPerrionni @Papryka5 @monicasloves @MOCarballeira @ceconomou56 @albert_cunill @eoff_sylvia @FriendArt_ @Messe11 @MaxPriviero @smarucci461 @paoloigna1 @erminiopasquat1 @licprospero @BrindusaB1 @tizianacampodon @GiuseppeTurrisi @BaroneZaza70 Marcantonio Raimondi (c. 1470– c. 1534) was an Italian engraver.Crouching Venus after Raphael
@djolavarrieta @ceconomou56 @dianadep1 @marmelyr @1Atsuhimerose2 @angelicadisogno @ampomata @LuciaTassan @Spiros209 @BrindusaB1 @scastaldi9 @bmarczewska @lissablu68 @neblaruz @monica74761144 @alleosa @agustin_gut @CristianeGLima @bgv_online @claudioborlotto @maluisa_3 @BPerrionni @ritamay1 @Rebeka80721106 @BaroneZaza70 @CaterinaCategio @famartinez2001 @kamabi @Make_u2_happy @BrownGJ2 Marcantonio Raimondi (c. 1470– c. 1534) was an Italian engraver.after Raffaello Sanzio da Urbino (March 28 or April 6, 1483 – April 6, 1520 known as Raphael ) was an Italian painter and architect .Lucretia's suicide
@Cyanlafurra El es mi oc Raimond, es alegre, re uke, muy sentimental pero astuto, es inteligente y serio en situaciones necesarias y llega a ser amargado cuando tiene sueño, y shale ya no c qwp
PD: no tengo mejores referencias ;<;
Massacre of the Innocents without the Fir Tree, Marcantonio Raimondi, ca. 1513-15 https://t.co/2WiX42Kjd6 #clevelandartmuseum #museumarchive
#Murasakimonday + #Miraimonday
Let's try with another buddy for Mirai 😕
How about Murasaki? 👍
They seem to be having fun 😊
I like how they have both very similar interests and style in dressing.
Once again, the cheongsam goes with everyone 😍
The second room includes prints by his earliest and most skilled interpreters: Marcantonio Raimondi, Agostino Veneziano, Marco Dente, and Ugo da Carpi. #Raphael500
[Ugo da Carpi after Raphael, "David Slaying Goliath," c. 1520, chiaroscuro woodcut]
Raphael was the first artist to exploit the possibilities of printmaking to circulate his compositions, enhance his reputation, and generate income. #Raphael500
[Marcantonio Raimondi after Raphael, "The Massacre of the Innocents," c. 1511, engraving]
I once asked a bird
How is it that you fly in this gravity of darkness?
She responded, “Love lifts me.”
Hafiz
📸 Roeselien Raimond
Eduard Manet's iconic & much imitated "Le Déjeuner sur l'herbe" (1862) took it's original composition from 3 figures (detail bottom right) in Marcantonio Raimondi, “The Judgment of Paris” (1510–20) Pic 4. The irony was that putting modern people in classical poses caused offence.
Oof, almost forgot it was #MiraiMonday. Here's Mirai-in-a-Box. Have a wonderful week everyone. 😎👍 #smartdoll
I'm making a thread of my OC prefs because I'm insatiable. Raimond is a national hero and best friends with his sentient (vampire-inspired) disease. Amiable and chill but do NOT fuck with him
Una prueba más de que en muchas ocasiones detrás de una gran pintura hay una gran estampa.
Marcantonio Raimondi. El juicio de Paris (detalle). Buril, h. 1510. The Metropolitan Museum of Art
Édouard Manet. Le Déjeuner sur l'Herbe (detalle). Óleo sobre lienzo, 1863. Musée d'Orsay
The other new book out at @arfestival: Clessidra.
The second number of our annual on time is about quarters of the day: sunrise (by @eryslash), midday (by Genny Ferrari), sundown (by Chiara Raimondi) and midnight (by Yi Yang).
The gorgeous graphic cover is by Laura Guglielmo.
Apollo on Parnassus, Marcantonio Raimondi, Cleveland Museum of Art https://t.co/eqR5YjsoQx #wikidata #digitalart #print (Palette: #PicassoBlue) 🖌🎨